A psychotic man, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?

Marta used to be a recognized and successful psychic, but after a dramatic experience, she loses faith in her gift and develops agoraphobia.

Roma marchează întoarcerea lui Alfonso Cuarón acasă, în Mexic, şi este totodată văzut ca cel mai personal film al regizorului, fiind inspirat de poveştile femeilor din copilăria sa. Cel mai personal proiect de până acum al regizorului și scenaristului premiat …

A tyrannical ship captain decides to exact revenge on his abused crew after they form a mutiny against him, but the sailor he targets had no hand in it.

Kékszakállú is an unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. The torpor of boredom and privilege is undercut by the vicissitudes of Argentina's economic malaise, forcing the offspring of a vanishing upper class to extricate themselves from the props of familial privilege. The film presents a documentary-like exposure of the quotidian while extending possibilities for redemption among this brood of the weary….

A psychologist has already stopped attending her practice for some time. But when a rather unusual case comes up, the challenge calls it back. And so he ends up accepting his new patient, Veronica. This woman has a particularity and surrounds a great mystery, since her previous therapist mysteriously disappeared, leaving no trace.

For Moncho, it's an idyllic year: he starts school, he has a wonderful teacher, he makes a friend in Roque, he begins to figure out some of the mysteries of Eros, and, with his older brother, a budding saxophone player, he makes a trip with the band from their town in Galicia. But it's also the year that the Spanish Republic comes under fire from Fascist rebels. Moncho's father is a Republican as is the aging teacher, Don Gregorio. As sides are drawn and power falls clearly to one side, the forces of fear, violence, and betrayal alter profoundly what should be the pleasure of coming of age.

Berta is a young teen experiencing all the changes that occur when childhood is left behind and life as an adult woman begins to dawn. This first film by novice director Jose Luis Guerin is excellently structured around action and events, gestures and facial expressions, that subtly reveal the differences in Berta's expanding life.

In this surreal and sensuous mystery/noir, Lina Romay plays Irina, a partner in a male-female mind reading act. At night she experiences vivid and charged dreams which end in murder. It seems that the people whose minds she reads are being killed off one by one.

An entire city loses its voice as it endures the throes of a long, harsh winter. The evil, unscrupulous Mr. TV, sole owner of the images on the local screens and of a wide range of goods made under his own personal label, implements a sinister secret plan to eternally dominate each of the souls inhabiting the place. To achieve his wicked ends, he pays for the creation of a dangerous machine transmitting hypnotic TV images inducing compulsive purchase of the products bearing his brand name.

Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course.

CHRONICLE OF A BOY ALONE, is an indictment of a fascist regime running roughshod over its most vulnerable citizens, its children. Focusing on the bleak life of eleven-year-old bad boy Polin, who's been abandoned by his family and sent to live in a state-run orphanage, it's also a moving portrait of the human spirit imprisoned by the chains of well-intentioned fools. Inside the harsh confines of the supposedly beneficial institution, Polin and his fellow inmates must deal with constant physical and psychological abuse by the staff, as well as the natural emotional tensions brought on by their own burgeoning adolescence. But through it all, they manage to keep their hopes alive with optimistic talk of freedom and bold plans of escape. One day, when the opportunity finally arises, and Polin learns that freedom, too, has its price.

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira to visit their son Pedro, the leftist Literature professor Fernando Robles is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm near Villa Dolores to reduce their expenses. Fernando comes up with the idea to grow lavender and sell the oil to the perfume industry.

A tyrannical ship captain decides to exact revenge on his abused crew after they form a mutiny against him, but the sailor he targets had no hand in it.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.