Agent Jackie is hired to find World War II Nazi gold hidden in the Sahara desert. He teams up with three bungling women (the three stooges?) who are all connected in some way. However, a team of mercenries have ideas on the ownership of the gold. A battle and chase ensues as to who gets there first. Lots of choregraphed Kung Fu and quirky Chan humor.

A wealthy kung fu expert, who is turned bitter and evil by the slaying of his wife and the loss of his son's hands, bullies a town through terror and force. They find pleasure and satisfaction by crippling those who stumble in their way. Four of those who are crippled, a hawker who is blinded, a blacksmith made mute and deaf, a drifter who loses his legs, and a fighter who loses his sanity, band together to use their disabilities to the best of their advantage. The four are tested time and time again, and demonstrate their strengths and abilities.

Steel factory worker Chen's estranged wife reappears asking for a divorce and custody of their daughter. The girl decides to live with whoever can provide her a piano. Chen's struggle thus begins. When efforts to borrow money and even steal a piano fail, Chen concocts a preposterous plan - he'll make a piano from scratch! He persuades a bunch of reluctant, but loyal, misfits to help him forge the instrument in a derelict factory from a heap of scrap steel and savvy. Though crude in design and tune, the factory piano awaits its first and final performance from his little girl.

When a quintet of nasty ninjas hell-bent on world domination nearly massacres an entire clan, its lone survivor must take the path of revenge. He meets up with an old master well versed in the ways of the ninja. Now armed with secret knowledge and newfound friends, he must battle the awesome power of the Five Element Ninjas, who harness the powers of gold, wood, fire, water, and earth.

Taking place in the Tang Dynasty, a demon cat appears and breaks the peace of Chang'an City, causing a series of strange events. Poet Bai Letian and Monk Kukai join hands to investigate the death of the emperor's concubine, Lady Yang, by following the trail left by the cat.

Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.

The story of a young flirty feral woman named Kitty who is trained by a martial arts specialist to become a professional assassin. She's subsequently recruited by the real killer, a hit woman who targets rapists at large and practices on drooling sex-mad psychos chained up in the attic. When they finally head out for the real thing, they take out victims in a display of midair somersaults, cracking whips, flying ropes, and flashing guns. This kind of foreplay attracts the lustful attentions of rival assassin Carrie Ng, a lesbian killer ready to abandon her purring sex kitten for the savage Chingmy.

My Memories of Old Beijing, a feature film based on Lin Haiyin’s novel of the same title and directed by Wu Yigong in 1982, is called a prose-like film for its unique artistic pursuit. The film shows the society and the miserable life of the people in the 1920s in Beijing through the eyes of a naive girl. The film is uniquely arranged. Instead of organizing the plot with a beginning, development, climax and conclusion, it features a keynote of sorrows and yearning for the past and a string-styled plot that links three separate stories. Like a multifaceted mirror, it reflects the historical scenes from different angles. The film has its content centering on the characters’ psychology and supplemented with music; an artistic form of expression featuring a gentle rhythm, symbolism, implication, comparison, and repetition; and a tranquil, concise conception similar to a Chinese wash drawing.

Na Dow carries out his drug-delivering routine by taking a cab down south and returning in the same cab on the same day. One day he reluctantly gets into a shabby taxi driven by the carefree, innocent Xu, who came to Taiwan more than 20 years ago and somehow decided to stay. Na Dow's plan to reform himself and Xu's wish for a peaceful life take a wrong turn when they become the target of a mob attack. The drugs and the money are gone, and both Na Dow and Xu are held hostage in the trunk of a car.

On his 60th birthday, Van is told that he is seriously ill. But instead of going to Taipei for treatment, his illness leads him to Japan. Together with his son, he goes in search of the father who abandoned him 50 years ago. At the same time, a young man with a mysterious connection to Van's past is travelling from Hong Kong to Taiwan.

ne night a textile worker is sexually assaulted by five deviants. The young lady tries to cope with the aftermath of this dramatic event but her life is ruined. Like a shattered vase, the pieces can be put back together but it'll never be the same. Cheng get's a job as a bar girl. She meets the club's owner who was a former kung-fu fighter until he was crippled. Cheng uses her position as a B-girl to go after the losers who raped her, She soon learns from a sleazy doctor that she has contracted a dark V.D. called Viet-Nam Rose. Crushed, she begs Lo Lieh to teach her kung-fu. At first he refuses until he learns her secret. Furious, Lo Lieh teaches her his deadly fight techniques (such as a groin crunching blow).

Possession, exploding bodies, zombie mayhem and gross-out shocks aplenty await you in the most extreme Hong Kong cult film of them all! Following the prediction of a dark magician, the unfaithful wife of a Hong Kong cab driver falls victim to a pair of murderous thugs. Outraged, the cabbie arranges supernatural vengeance with the aid of an unholy union between the dead. Never released in America due to its taboo subject matter, this mind-melting Asian answer to The Evil Dead has stunned viewers for years in low quality grey market editions and now makes its long-awaited American debut!

Superkicker Dorian Tan Tao-liang plays a Shaolin student who must find a Manchu traitor responsible for the murder of the abbot. Jackie Chan is a spear fighting expert who decides to help Tan because the traitor killed his brother. Part of their mission is to help a scholar make it safely across the river without getting killed from the Manchus.

A ruthless band of thugs kidnaps a young official to exchange for their leader who has been captured. Golden Swallow is sent to take on the thugs and free the prisoner (who is also her brother). Though she is able to handle the overwhelming odds, she is hit by a poison dart and gets help from a beggar who is really a kung-fu master in disguise. With his help, she forms a plan to get her brother back.

In 1924, young Cheng Dieyi (Leslie Cheung) begins training at the Beijing Opera House at the same time as Duan Xiaolou (Fengyi Zhang). Cheng specializes in playing female parts, often against Duan's commanding male leads. While pretending to be in love with Duan onstage, Cheng begins to develop actual romantic feelings for his co-star, which are not reciprocated. Over the next 50 years, the two men maintain a complicated friendship as China undergoes turbulent changes.