Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released on September 23, 1991 on 4AD in the United Kingdom and Elektra Records in the United States. After the surf-pop of Bossanova (1990), the band returned to the abrasive sound of the band's earlier releases. Bonus Tracks 16 to 19 recorded live at Muziekcentrum Vredenburg, Utrecht on 25th September 1990 for VPRO Radio 3, Holland.

Raised To Life is a 3-song EP released in 2014 by Christian pop group Elevation Worship. This was released by Essential Worship, in honor of Christ.

Buffalo Tom began life as a trio of pre-grunge, neo-psychedelic guitar maulers owing a heavy debt to Dinosaur Jr. (though one might argue that on Birdbrain they actually beat J. Mascis at his own game), but over the next dozen years they matured into a considerably more dynamic and intelligent band, capable of generating crunching rockers or acoustic ballads with equal precision, all of which possessed heart, soul, and a compassionate intelligence. Asides from Buffalo Tom compiles most of the band's best-known songs, including the top sides of their singles, radio emphasis tracks, a few fan favorites, and a cover of the Jam's "Going Underground" from a 1999 tribute album. While the album isn't sequenced chronologically, which would have made a greater case for their growth over time, it does a superb job of capturing the many sides of their musical personality, and it is both a fine summation of their first 11 years as a recording act and great introduction to one of the better bands to rise from the alt-rock scene in the 1990s.

Coupling Debbie Harry and partner Chris Stein with Chic's Nile Rodgers and Bernard Edwards sure seems like a good idea. Add H.R. Giger's stunning cover art and KooKoo should have been a winner. Too bad everyone forgot to bring the songs. Harry's stern delivery over the funky backing winds up sounding forced, with lyrics that are clumsy and limited. "Inner City Spillover" starts off promising enough, but its metaphor of bricks in the city that fall on people's heads and end up paving serene suburban Maine roads hangs around four minutes too long.

"Rock 'n' Roll Juvenile" is a 1979 album by Cliff Richard. It featured his biggest-ever single, "We Don't Talk Anymore", which was a UK #1 hit (his first since 1968's "Congratulations" and his only one of the 1970s) and the #4 hit "Carrie". This album continued Richard's revival, which had begun in 1976 with the "I'm Nearly Famous" album and would now increase in strength for the next few years into the 1980s.

"Greatest Hits Vol. 2" is the second greatest hits album and fourth U.S. #1 album by Barbra Streisand. Released in 1978, it included Streisand's greatest hits from the previous eight years with one new track, "You Don't Bring Me Flowers," a duet with Neil Diamond which never appeared on a previous Streisand album. "Greatest Hits Vol. 2" was also the only Streisand album where the song “Prisoner” appeared. It originally appeared on the now out-of-print soundtrack album to "The Eyes of Laura Mars".

John Illsley is an English musician who rose to fame as the bass guitarist of the critically acclaimed band Dire Straits. With Dire Straits, John has been the recipient of multiple BRIT and Grammy Awards and a Heritage Award. As one of the founding band members, with Mark Knopfler, his brother David and drummer Pick Withers, John played a major role in the development of the Dire Straits’ sound. Collection includes: 'Never Told A Soul' (1984); 'Glass' (1988); 'Beautiful You' (2008) with Greg Pearle; 'Streets Of Heaven' (2010); 'Live In London' (2014); 'Testing The Water' (2014).

While 1995's Relish proved Joan Osborne was a smart and idiosyncratic lyricist with a big, strong and soulful voice, the unexpected success of the album (and the single "One Of Us") proved to be as much of a burden as a blessing. Touring kept Osborne out on the road for the next few years, and troubles with her record company prevented her follow-up, Righteous Love, from arriving in stores until 2000, after which it died quickly on the vine (though the album deserved a better fate). As Osborne was blocking out plans for her next album in the fall of 2001, the terrorist attacks of September 11 upended her musical priorities, and for How Sweet It Is, Osborne has indulged herself in the musical equivalent of comfort food by cutting covers of a dozen classic soul and R&B tunes from the 1960s and '70s, with the exception of three reworked rock numbers (Dave Mason's "Only You Know and I Know," the Band's "The Weight," and Jimi Hendrix's "Axis: Bold As Love").

Before '70s superstardom, even before Humble Pie, Peter Frampton got his first taste of celebrity as a singer and guitarist in the Herd, who chalked up several hits in Britain in 1967 and 1968. Frampton was only 17 when the single "From the Underworld" went into the British Top Ten in late 1967; "Paradise Lost" and "I Don't Want Our Loving to Die" were hits for the group in the first half of 1968. The Herd's brand of mod was extremely commercial and good-timey- and pop-oriented, a bit like a muted and mainstream Small Faces. Much of their material (including all of the hits) was written by their management team of Ken Howard and Alan Blaikley, who had supplied songs for the Honeycombs (of "Have I the Right" fame).

The eighth and ninth studio albums (there was a live recording between them) from the Atlanta Rhythm Section got a belated U.K. CD release in 2010. These closed out the act's affiliation with Polydor Records and are condensed onto a single CD here, as well as digitally remastered. It's another in the classy series of ARS reissues from BGO, which has treated the Southern pop act's catalog with utmost respect on four previous discs that bring the group's original albums back in print for collectors and music fans who want more than the 17 hits on Polydor's well-chosen 1982 vintage Best Of. Liner notes from Campbell Devine tend to be fawning but include a comprehensive history of the band, recounting its story leading up to and even after the recording of these tunes. Musically, ARS captured a unique style halfway between the smooth West Coast pop of the late '70s and the Southern rock of the era.

The Complete Studio Recordings 1972-1982, is the first complete Roxy Music box set to be released on CD. It includes each of the eight ‘Roxy Music’ Studio albums: Roxy Music, For Your Pleasure, Stranded, Country Life, Siren, Manifesto, Flesh And Blood and Avalon. Each of the studio albums have been taken back to their original form. New 2012 flat transfers from the original analogue master tapes ensure the audio sounds truer to its original LP sound. The box set is completed with two bonus discs of singles, B-sides and alternative mixes.

After many years of playing mostly magical gigs with some of the finest musicians and singers in this country and living in recording studios singing hundreds of radio and television ads, I decided it was time I recorded something as a keep sake for my awesome family.

The Four Pennies were an English, 1960s pop group, most notable for their 1964 UK chart-topping song "Juliet". The Four Pennies were probably the most commercially successful UK vocal/instrumental group that failed to chart in the United States, during the so-called British Invasion. The Four Pennies were founded in 1963, and initially consisted of Lionel Morton (vocals, rhythm guitar), Fritz Fryer (lead guitar), Mike Wilshaw (bass, keyboards, backing vocals), and Alan Buck (drums) The group's name was chosen as a more commercial alternative to "The Lionel Morton Four", and was decided upon after a meeting above a Blackburn music shop, the shop being situated on "Penny Street".

English guitar legend Hank Marvin inspired a generation of British post-war guitarists with his smooth, plectrum-based guitar lines. Backing Cliff Richard with his band The Shadows, Hank's guitar playing inspired The Beatles and a generation of British groups starting out in the 1960s. This album sees Hank performing a plethora of songs from the big screen, both recent and vintage. All are flawlessly executed with the smooth melodic perfection that audiences have come to expect from Hank. This album contains a wide range of material–"The Sound of Silence" from The Graduate, "My Heart Will Go On" from Titanic, "How Deep Is Your Love?" from Saturday Night Fever and "A Kiss From A Rose" from Batman Forever. Hank purists will enjoy the James Bond Medley containing the James Bond theme, plus music from You Only Live Twice, From Russia With Love and On Her Majesty's Secret Service.

Everything Changes is Julian Lennon's first album in 13 years – a long wait by any measure and one that seems even longer given that there's not a great stylistic difference between this 2011 album and its 1998 predecessor, Photograph Smile. Lennon is still mining the later years of the Beatles for inspiration, specifically the stately psychedelic marches that both his father and McCartney sang in equal measure. Julian doesn't sound strictly like either on Everything Changes; if anything, he sounds like he's following the path of Noel Gallagher, with Everything Changes mirroring High Flying Birds in its classy veneer and overreliance on lumbering midtempo melodies. Lennon does have a way with melody, so these go down easily enough, but there's not much distinction between the songs here, nor is there one with a melody powerful enough to pull you into the rest of the record.