Vocalist Asha Puthli was well-known in her native India before she moved to New York and made a splash in the jazz world. For her Western recording debut, Puthli lent her vocals to "What Reason Could I Give" and "All My Life," a pair of ballads on Ornette Coleman's 1971 Science Fiction LP. She recorded two LPs for Columbia, 1974's Asha Puthli and 1978's The Devil Is Loose, but success in America eluded her, even as she matured into a European chart mainstay. Puthli's popularity grew not in the U.S. but in Europe where she signed a record deal with CBS. Her solo albums reflected her interest in pop, rock, soul, funk and disco. She gravitated toward the glam world of Elton John and T. Rex. Music critic Ann Powers in The New York Times called Puthli a "fusion pioneer".

Although Eric Martin is best-known as the lead singer of rock quartet Mr. Big, he was a seasoned music veteran before that outfit in 1988. Born on October 10, 1960, in Long Island, NY, Martin moved often during his childhood due to his father's career as an Army officer. When the family settled in San Francisco in 1976, Martin formed the band 415 with some high school friends. The band became a popular local draw, eventually opening for acts like Billy Squier, Molly Hatchet, and the Marshall Tucker Band, while still an unsigned ac…

Japanese original release. First box set of Andy Williams includes seven original albums "Canadian Sunset," "To You Sweetheart, Aloha," "Moon River and Other Great Movie Themes," "Days of Wine and Roses and Other TV Requests," "The Wonderful World of Andy Williams," "The Academy Award-Winning Call Me Irresponsible and Other Hit Songs from the Movies," and "The Great Songs from "My Fair Lady" and Other Broadway Hits" plus a bonus disc with Japanese version(s) of songs, rare tracks, and more. Features remastering and cardboard sleeve faithfully replicating its US LP jacket design. Comes with lyrics and a description.

Pussycat was a Dutch country and pop music group from the Netherlands, driven by the three Kowalczyk sisters: Toni, Betty and Marianne. Other members of the band were Lou Willé (Toni's ex husband), Theo Wetzels, Theo Coumans and John Theunissen. In 1975 they scored a big European hit with the song "Mississippi". However they had to wait a further year for the single to make the British charts when it climbed to number one in the UK Singles Chart in October 1976. Penned by Werner Theunissen, who had been the sisters' guitar teacher, it is estimated that "Mississippi" sold over five million copies worldwide. It was later followed by "Smile" in 1976, and "Hey Joe" in 1978. Other hits were "If You Ever Come to Amsterdam", "Georgie", "Wet Day in September" and "My Broken Souvenirs". Their career in Europe spanned more than a decade and included some seventeen albums.

This double-CD release from Britain's Beat Goes On label should interest anyone who's even slightly serious in appreciating Dan Fogelberg's music. For starters, in the absence of any upgrades since the late '80s in the sound of Sony Music's domestic Fogelberg CDs, the remastering of Souvenirs is more than a little welcome – the man's whole early catalog ought to have been remastered long before 2006, based on the crisp results here and the fresh edge it adds to music that is otherwise extremely familiar. And then there's the contents of the first disc, containing Fogelberg's debut Home Free album, which was not a success at the time of its release. Fogelberg and original producer Norbert Putnam remixed the original multi-track tapes from Home Free when it was time to do the CD release, and issued what was, in effect, a somewhat different album, with instruments shifted around in the mix and alterations in the framing and conceptions of various songs.

Petra is one of the most successful Christian rock bands ever, a veritable institution whose name (taken from the Greek word for "rock") has come to reflect not only their music, but their staying power as well, even in spite of Christian radio's reluctance to program their brand of loud, slick arena rock.
"Washes Whiter Than" (1979) is the earlier of this two albums and it shows. There are glimpses of the changes to come. The album varies from ballads to funk to jazz and rock with the gospel message. "Never Say Die" (1981) is the start of the "classic" era of Petra with their more straight ahead rock. From the opening crooner "The Coloring Song" we move into some classic Petra rock with "Chameleon". The album could be described as easy listening rock and finishes with the worship anthem "Praise Ye The Lord".

Footloose was a throwback to '50s rock & roll movies, with a silly plot about a town where it was illegal to dance. It was a major hit, as was its soundtrack, which spent a grand total of ten weeks at number one and sold over seven million copies. It's easy to see why – the album delivers its mainstream pop, anthemic rock, and light dance-pop with style and an abundance of hooks. Six of the nine tracks became Top 40 hits, and three – Kenny Loggins' bouncy title song, the excellent power ballad "Almost Paradise" (a duet between Loverboy's Mike Reno and Heart's Ann Wilson), and Deniece Williams' frothy, charming "Let's Hear It for the Boy" – shot into the Top Ten. The sound and production of Footloose has dated badly – there is a reliance on synthesizers and drum machines that instantly announces that the record was made in 1984 – but that isn't necessarily a weakness. Not only does it function as a time capsule of a certain moment in pop music history, but many of the songs are catchy enough to transcend their production. There's nothing of substance on the Footloose soundtrack, but it's a light, entertaining listen. Sometimes, that can be better than something substantial.

Early in his career, Ringo Starr realized that he couldn't quite carry an entire album by himself, so he established the practice of the "all-star" (or "All-Starr," as he later dubbed it) album, drafting in his musician buddies to help him make an album. The first time he did this was also the best – 1973's Ringo remains one of the best Beatles solo albums, possibly the only one that is simply, unabashedly fun. The approach also enlivened his 1992 comeback album Time Takes Time, but it fails to deliver on that record's follow-up, Vertical Man…

There are a few movie and soundtrack pairings that represent the wild 1980s. None more so than Top Gun (Footloose and Pretty in Pink are also strong contenders.) A whirlwind romance set in the U.S. Air Force during the Cold War, Top Gun featured wild aerial acrobatics, steamy sexual tension, and macho competition. And the soundtrack had the songs to match. Featuring the huge hits "Danger Zone," "Take My Breath Away," as well as "Playing with the Boys," "Mighty Wings," and a handful of classic soul tracks, the Top Gun soundtrack may be the perfect example of the outrageous '80s. This version expands on the original, including a number of songs not featured on the initial release, such as "Sittin' on the Dock of the Bay" and "Great Balls of Fire" .

Manassas were the first band Stephen Stills involved himself with after the breakup of Crosby, Stills, Nash & Young. He'd recorded a pair of solo albums, but forming this group with ex- and future Byrd and former Flying Burrito Brother Chris Hillman, pedal steel guitarist Al Perkins, Joe Lala from Blues Image, the CSNY rhythm section of Dallas Taylor and Calvin "Fuzzy" Samuels, and session man Paul Harris turned out to be a dream band, for a time. The unit released two albums on Atlantic: its self-titled debut in 1971 (which is widely regarded as a classic) and a less successful follow-up entitled Down the Road in 1972. Stills' and Rhino's Pieces assemblage of Manassas tracks includes outtakes and unreleased numbers from both recordings. This is the first in a series of retrospective recordings that Stills plans to issue, among them a box set, a live set, and (in association with Experience Hendrix) an album of studio session demos he recorded with Jimi Hendrix, his then guitar teacher (Hendrix appeared on Stills' debut solo effort), as well as a live compilation.

Originally formed in Yorkshire, England, in 1966, Smokie hit the British pop charts several times during the late '70s with updated psychedelic pop, influenced by the band's stay on Mickie Most's Rak Records as well as the writers of most of the band's hit material, Rak's Nicky Chinn and Mike Chapman…

New Order‘s Singles compilation from 2005 was beset by problems including a highly compressed ‘remastering’ and incorrect versions of some tracks. Warners have fixed these issues and released a new and improved version of this compilation on 2CD and 4LP vinyl in September 2016.

For the first time - the definitive Mamas and Papas career anthology, presented in a 4CD digibook set. The anthology features all the Mamas and Papas complete studio albums - "If You Can Believe Your Eyes And Ears", " The Mamas and the Papas", "The Mamas and The Papas Deliver", "International Monterey Pop Festival" (live), "People Like Us", alongside the corresponding single releases, rare tracks and studio /rehearsal takes. Disc four is a disc of rarities & previously unissued ecordings, including live performances from US television, solo tracks from each of the band and tracks from the 'Barry McGuire with The Mamas & Papas' album, which features many early versions of tracks that would later be hits for the group in their own right. Compiled by US expert Jim Pierson and with detailed liner notes by journalist Paul Grein, this set features lavish 72 page full colour booklet with over 100 photos, previously unseen material, a full discography, track annotations and foreword from 'Mama' Michelle Phillips. The Anthology provides not only a must-have set for existing fans but a superb exploration of the bands music for those more recently drawn to their timeless blend of honeyed west-coast harmonies, fusing pop rock and folk matched by few in their wake. * No US release is scheduled.

Golden Hits a 1995 compilation CD by Austrian singer and semi-rapper Falco. This was released in Malaysia by Megastop/PVS Music.

'80 Dance Classics (or Dance Classics '80 is a 1994 Russian compilation CD featuring music from the two previous decades. There is no concept as to why these songs are together but if it makes you dance and sing, that's good enough. Queen? Technotronic? Milli Vanilli? Status Quo? It doesn't matter. This was illegally made but it is illegally exciting, courtesy of Larry EP/MBM.