Citizens Arrest is the 1994 compilation CD by the hardcore punk band of the same name. This was released by Lost & Found Records.

Entertainment! is one of those records where germs of influence can be traced through many genres and countless bands, both favorably and unfavorably. From groups whose awareness of genealogy spreads wide enough to openly acknowledge Gang of Four's influence (Fugazi, Rage Against the Machine), to those not in touch with their ancestry enough to realize it (rap-metal, some indie rock) – all have appropriated elements of their forefathers' trailblazing contribution. Its vaguely funky rhythmic twitch, its pungent, pointillistic guitar stoccados, and its spoken/shouted vocals have all been picked up by many. Lyrically, the album was apart from many of the day, and it still is.

In their early years, Atlanta trio The Coathangers were very much of the classic punk ethos-the band was a live entity, and the records were a document of the charisma and chaos projected from stage. But after 12 years of relentlessly touring on a steady flow of EPs and LPs, The Coathangers finally took a moment to recalibrate before diving into the creation of their sixth studio album The Devil You Know. The band regrouped to make an album that captures all the vitality of their early years while honing their individual strengths into new communal achievements.

Fit to Be Tied is a compilation CD released by Joan Jett and the Blackhearts. The collection was released in the United States in 1997. Rather than secure the rights to the original versions of "I Hate Myself for Loving You" and "Little Liar" from CBS, Jett's label included a demo version and live recording of those songs, respectively.

The Changeling was Toyah's follow-up album to the critically acclaimed Anthem. Although it has a similar overall sound, the band's writing took a darker, almost gothic direction. Tracks such as "The Packt" and "Brave New World" take a rather dystopian although still hopeful view of the future, a theme which largely pervades the whole album. The Changeling was not released on CD until 1999, although this long-awaited release did at least include six bonus tracks, four of which were previously unavailable on CD.

Nina Hagen is a unique vocalist, ranging from a coloratura soprano to a guttural alto and phrasing in surprising, dramatically changing ways, so that her performances are musical roller coasters, full of sudden shifts in mood and volume. Singing alternately in German and English, Hagen is backed by rock tracks leaning toward punk on some songs, and by producer Giorgio Moroder's signature Euro-disco synth-dance sounds on others on this 14-track, 74-minute compilation. Want to hear a German-language version of the Tubes' "White Punks on Dope"? How about a performance of "My Way" (also in German) that rivals Sid Vicious' for outrageousness? Ultimately, Nina Hagen may be a period novelty act of the early '80s, a mixture of Toni Basil, Falco, and a hyena. But she gets your attention.

Renegades is the fourth and final studio album by American rock band Rage Against the Machine, released on December 5, 2000 by Epic Records, almost two months after their breakup. The album consists of covers of songs by artists such as Bruce Springsteen, Bob Dylan, Minor Threat, Eric B. & Rakim, EPMD, MC5, The Rolling Stones, Cypress Hill, and Devo.

Deluxe, redux reissue of the Dwarves' 2004 magnum opus, The Dwarves Must Die. Originally released on Sympathy for the Record Industry and long out of print, this reissue compiles the whole album plus two awesome bonus tracks. Full bore punk rock meets noise and garage rock and all the sleaze you fit on a 5 inch piece of shiny plastic. Features guest spots from Dexter Holland from The Offspring, Nash Kato from Urge Overkill, desert rock icon Nick Oliveri, Josh Freese from The Vandals, Spike from Me First and the Gimme Gimmes and more.

Age of Unreason is the upcoming seventeenth studio album by American punk rock band Bad Religion, to be released on May 3, 2019. It will be the band's first studio album to feature guitarist Mike Dimkich and drummer Jamie Miller, replacing Greg Hetson and Brooks Wackerman respectively, and the first one to be produced by Carlos de la Garza, thus ending their collaboration with Joe Barresi, who had produced, mixed or engineered every Bad Religion album since 2004's The Empire Strikes First. The release of Age of Unreason will also mark the longest gap between studio albums in Bad Religion's entire career, with their previous album, True North, having been released in January 2013. Singles released from the album were "My Sanity", "Chaos from Within" and "Do the Paranoid Style".

Pop's music has encompassed a number of styles over the course of his career, including garage rock, punk rock, hard rock, art rock, new wave, jazz, blues, and electronic.[7][8] Though his popularity has fluctuated through the years, many of Pop's songs have become well-known, including "Search and Destroy" and "I Wanna Be Your Dog" by the Stooges, and his solo hits "Lust for Life", "The Passenger", and "Real Wild Child (Wild One)". In 1990, he recorded his first and only Top 40 U.S. hit, "Candy", a duet with B-52's singer Kate Pierson.

EURINGEREMIX is remixes of selected tracks from Jimmy Urine's (Mindless Self Indulgence) solo album EURINGER. With a banging remix of of the song "IF IT AIN'T YOU TODAY IT WILL BE YOU TOMORROW" (featuring SERJ TANKIAN) by KMFDM, a techno remix of "SAILOR IN A LIFE BOAT" (featuring GERARD WAY) by Rhys Fulber (Front Line Assembly/Conjure One/Delerium), a synthpop mix of "PROBLEMATIC" by ASH CODE, & a bonus vocoder remix "DO YOU KISS YOUR MAMA WITH THAT MOUTH?" by Jimmy himself! Jimmy's adopted new home New Zealand is represented by new waver Eyeliner's funky 80s remix of "FUCK EVERYTHING" (featuring CHANTAL CLARET), drum & bass artist Kiljoy delivers a wicked remix of "THAT'S HOW JIMMY GETS DOWN".

Come Clean is a fairly radical departure for the Dwarves, combining catchy, garagey punk-pop tunes with jackhammer electronic beats that recall industrial-metal bands like Ministry, or the hardcore techno of Atari Teenage Riot. It's an odd, striking fusion, and parts of it actually work surprisingly well; plus, it's an interesting listen even when the juxtaposition seems a little forced. But just as importantly, the Dwarves have written songs that feature a batch of pretty memorable hooks, which helps make Come Clean one of their most intriguing albums.

Kyoto's Otoboke Beaver return with a new album offering! "ITEKOMA HITS" released on orange splatter effect vinyl and CD by Damnably Records. Consisting of 8 newly recorded tracks with new member Kahokiss who officially joined late August in 2018, taking over drumming duties from former drummer Pop.

Ha!-Ha!-Ha! is a bruising album, a tsunami of a set that epitomized the fire and fury of its age. Icy to its core, producer Steve Lillywhite brilliantly captured both the band's urgency and the brittleness of their sound. Like the implosion of gases that ignited the Big Bang, Ha!-Ha!-Ha! hangs in the millisecond before the ensuing explosion, trembling with ferocious tension and fierce anticipation of the coming storm…

Dwarves are real! Back around 1983 or so, when hardcore had become a completely mindless "punk by numbers" style of music, (though nowhere near as stale as the nineties variety, new skool, cash crop variety) bands that were cool had to rediscover just what the hell made rock 'n' roll exciting in the first place. Most discovered the glory that is the Stooges, and then went back in time from there– MC5, Velvets, Elevators, Watchband, Sonics, Chuck Berry and earlier…