The first single-CD collection from these genre-busting (metal? rap? funk? punk?) rockers! Epic; Introduce Yourself; We Care a Lot (Slash version); Easy; War Pigs; Evidence , and more key cuts from 1985 to 1997 join rarities like Arabian Disco and more- from the bizarre to the brilliant!

As History: The Singles 85-91's title makes plain, this compilation bundles up all the group's singles released between these dates. 1985 was a turning point for the band, the year New Model Army relocated from the indie Abstract label to the majors and EMI. Thus fans will obviously have to look elsewhere for their earlier singles, particularly the ferocious "Vengeance," the best of their pre-EMI releases. But the six years bundled up here were just as stellar. The group released a dozen singles during this period, and the A-sides all appear here in chronological order, kicking off with the blind fury of "No Rest," down into the bitter irony of "51st State," through the desolation of science gone insane of "White Coats," across the outcasts' anthem of "Vagabonds," into the nostalgic valleys of "Green and Grey," diving into the barely suppressed rage of "Purity," and ending live in "Space." Americans may be surprised to find that every single one of New Model Army's singles charted in the U.K., albeit outside the Top 25. But that's a moot point; while Britain was in the midst of a Tory revolution that turned much of England's innate culture to dust (Scotland, Wales, and Ulster remained more immutable to their efforts), New Model Army soldiered on, a voice raging in the wilderness.

The LA quartet’s second album is more musically focused and emotionally unsettled, its once shaggy sound sculpted into post-punk precision.

Super deluxe 40th Anniversary edition of the classic album by Ian Dury & The Blockheads. Contains 180gm magnolia colored vinyl LP pressing of the original album plus two CDs and DVD containg all of the singles, b-sides, demos, videos, and live concert recorded in 1979. Choose your own front cover out of the 34 original sleeves designed by the legendary graphic artist Barney Bubbles…

57-track, 5-CD set of albums from the legendary singer/guitarist and founding member of the Velvet Underground. Includes NEW YORK, SONGS FOR DRELLA, MAGIC & LOSS, SET THE TWILIGHT REELING and ECSTASY, each housed in a mini LP-style card picture sleeve.

This latter period Chumbawamba collection benefits from the inclusion of "Give the Anarchist a Cigarette," "Ugh! Your Ugly Houses" (a sideswipe at the non-taste of the celebrities featured in Hello magazine), "Enough Is Enough" (originally recorded with Brit rappers Credit to the Nation) and the catchy/cloying "Timebomb." Most of the material is taken from Anarchy (1994) and Swingin' With Raymond (1996). "Mouthful of Shit," the highlight of Anarchy, makes a welcome return. 23 tracks is surely enough Chumbawamba for even the hardiest of die-hards, but if you don't have the studio albums, this is the best place to start.

The Gray Race is the ninth full-length album of the punk rock band Bad Religion, which was released in 1996. It was the follow-up to the band's highly successful 1994 album Stranger Than Fiction. This was the band's first album not recorded with original guitarist Brett Gurewitz (since the 1985 EP Back to the Known) and is their first release with Brian Baker, who replaced him during the Stranger Than Fiction tour. It was also the first album since How Could Hell Be Any Worse? that the band recorded as a group. Part of the reason for this was financial, but frontman Greg Graffin also wanted to foster a sense of unity following Gurewitz's jarring departure. This was also the first album with which Graffin solicited the opinions of other band members before recording. Graffin said that collaboration significantly improved the sound and quality of the album. Some songs on the album are considered fan favorites, such as, "Them And Us", "A Walk", "Punk Rock Song", "Spirit Shine", Ten in 2010", "Come Join Us", and "Cease".

The Singles is a compilation album by The Clash. It includes all their singles, in their single version, except for 1977's Capital Radio (which, whilst not eligible for chart entry is still considered a single) as well as 1985's "This Is England" due to the Cut the Crap album being disowned by the band at that time. This collection contains the actual A-side recording of the "This Is Radio Clash" single. Some other compilations such as The Essential Clash and the remastered version of Super Black Market Clash contain the B-side "Radio Clash" under the title "This Is Radio Clash" instead.

Buzzcocks’ seminal second album, lovingly restored and re-mastered from its original ¼ tapes for the first time since its September 1978 release.

Dubbed Hotel Last Resort, it’s set for a July 26th due date through [PIAS]. It represents Violent Femmes’ tenth (overall and first since We Can Do Anything from 2016. The forthcoming collection spans a total of 13 songs, most of which feature additional instrumentation from Violent Femmes’ longtime backing band Horn of Dilemma. There are also two covers included — “I’m Not Gonna Cry”, originally by Greek rock super stars Pyx Lax, and a rendition of Irving Berlin’s “God Bless America”.

UK-only five CD set containing a quintet of albums from the Rock great packaged in miniature LP sleeves and housed in an attractive slipcase. Features the albums Rock N Roll Animal (1974); Rock N Roll Heart (1976); Street Hassle (1978); Bells (1979) and Growing Up In Public (1980).

E-Gitarre und Leder = Metal und Rock? Sechs werte Herren aus Berlin erlauben sich, Ihnen dieses Klischee höflichstum die Ohren zu klatschen: Mit Zylinder und Frack, mit Cello und Klarinette, mit Eleganz und vornehmer Blässe stehen Coppelius seit über 200 Jahren (so sagen sie selbst, und wer würde daran zweifeln wollen!) auf der Bühne und praktizieren Kammercore: Ihre ganz eigene Steampunk-Spielart von Metal und Rock-hart und rau, doch zugleich mit der lässigen Attitüde des Gentlemansvon Welt. Mit „Kammerarchiv“ legen sie bereits ihr sechstes Album vor. Eine Band wie keine zweite, die in allen musikalischen Lebenslagen zu begeistern weiß –und so gilt für alle Connaisseure des guten (und lauten) Tons: Coppelius hilft!

L7 had the sound, style, and tough-grrrl attitude to hit it big in the aftermath of grunge's mainstream breakthrough, but unfortunately, the band was too often hampered by uneven songwriting. The Best of L7: The Slash Years collects four songs apiece from Bricks Are Heavy, Hungry for Stink, and The Beauty Process: Triple Platinum (although, as the title suggests, there's nothing from the fine Sub Pop album Smell the Magic). It's a pretty good distillation of the cream of those records, even if there are still a few tunes on Bricks Are Heavy that could have made the cut on a less mathematically selected best-of. In fact, as L7's most pop-oriented record, Bricks Are Heavy is still a slightly more accessible introduction, since following that album, the band tended to rely more on sheer power than melody. Nevertheless, The Best of L7: The Slash Years does encapsulate what the group was all about, and it's a great way to dig deeper into their catalog without having to buy all the individual albums.

"Nichts ist für immer…" ist ein Album, mit dem die Band mit zügellosen Refrains, schnellen Punk-Riffs, klugen ironisch-gesellschaftskritischen Texten, einer großen Portion Augenzwinkern und schweißtreibender Spielfreude zurück zu den Wurzeln kehrt . Mit "Nichts ist für immer…" haben die Killerpilze die stärksten Songs ihrer Karriere geschrieben und bilden dabei das gesellschaftliche Klima Deutschlands 2019 eindringlich, aber nie hoffnungslos ab. Das Album liefert außerdem großartige Features von renommierten Szene- Kollegen wie ZSK, Massendefekt, ITCHY oder Rapper Curse.

Woodstock 94 is a two-disc set documenting the Woodstock 1994 festival. It was released during November 1994, nearly three months after the event took place. The album was released on A&M Records. The set features 27 performing artists, one song per artist. It also features the recording of both general stage announcements and some band introductions given at various points during the festival. Bob Dylan, Peter Gabriel, Metallica, Porno for Pyros, Melissa Etheridge, Traffic, Joe Cocker, Aerosmith, The Cranberries, Red Hot Chili Peppers, Blind Melon, Green Day, Nine Inch Nails, Sheryl Crow, Violent Femmes, Cypress Hill, Rollins Band, and many more..