A popular skatepunk group based out of Berlin, Germany, ZSK's hard-hitting blend of political, hardcore, and hook-driven punk rock invokes names like Die Toten Hosen, Bad Religion, and Rise Against. Founded in 1997, ZSK were one of the leading lights of the German political punk scene during the late '90s and early aughts, releasing a string of fiery singles and a trio of well-received albums before calling it quits in 2007. They returned to the stage in 2011, and two years later released their long-awaited fourth studio album, Herz für die Sache, via People Like You Records. Live für die Sache, a CD/DVD concert LP, followed in 2016.

57-track, 5-CD set of albums from the legendary singer/guitarist and founding member of the Velvet Underground. Includes NEW YORK, SONGS FOR DRELLA, MAGIC & LOSS, SET THE TWILIGHT REELING and ECSTASY, each housed in a mini LP-style card picture sleeve.

In a way, the Ramones are an ideal band to anthologize. No matter how cohesive their records were (or not), their albums always played like collections of singles and since singles are easy to anthologize, it stands to reason that the best of the Ramones' songs will sound good in nearly any context; hell, the haphazard Ramones Mania proved that. However, Rhino's double-disc Hey! Ho! Let's Go: Ramones Anthology has much greater goals than being just another collection – it strives to be the final word on the Ramones.

Original Hits: 70s is a decent six-disc set, highlighting 111 pop singles released in that decade. Along with the original versions of radio classics by Al Stewart, Blondie, the Knack, KC & the Sunshine Band, and Dr. Hook, are less-than-obvious inclusions by Peter Tosh, XTC, the Move, and Benny Hill!

Despite its rather cheeky title, Greatest Hits 1977-1990 is a good place to sample the entire Stranglers output. From the squalor of the late-'70s material, to the smoothed-out gloom pop of songs like "Skin Deep" and other mid- to late-'80s neo-goth rock, this is a solid anthology that values substance over style and exhaustive track selection. For sure, a well-edited Stranglers anthology is the only way to enjoy them; they recorded way too much dross to spend time searching out all of their plentiful, marginal records.

The Jam's enduring, eternal popularity in the U.K. meant an ever-increasing number of archival releases that cropped up over the years, with Live Jam, a fine counterpart to the other official concert album, Dig the New Breed, turning up in 1993. Like that earlier effort, it draws together a slew of tracks from shows ranging from 1979 to 1982, including some cuts from the band's almost-farewell headlining bows at Wembley Arena. Quite happily, there's no track overlap at all with Dig the New Breed, making the two perfectly complementary recordings in ways. The real treat, thanks to the expanded space on CDs, is the inclusion of nine songs from two December 1979 shows in London, the best portrait of what an actual specific show must have been like.

A repackaging of 2001's Making Enemies Is Good, 2003's Stockholm Syndrome, and 2005's Live Live in Paris, 3 Original Albums brings together a trio of gems from Swedish hard rock outfit Backyard Babies…