London five-piece Housewives return for more anarchic genre-blending adventures on their second LP, Twilight Splendour; A synthesized collage written in Wetherspoons, cafes and anywhere away from their houseboats where they could find a permanent electrical supply. Exploring the possibilities of electronic sound, this new LP marks a turning point for the band - who sold their guitars to buy midi equipment and swapped London rents for water habitation.

Considered by many to be a substandard effort due to the circumstances of its release (producer Bob Krasnow, the owner of Blue Thumb, the label which debuted with this album, remixed the album while Don Van Vliet and crew were off on a European tour, adding extraneous sound effects like heartbeats and excessive use of psychedelic-era clichés like out-of-phase stereo panning and flanging), 1968's Strictly Personal is actually a terrific album, every bit the equal of Safe As Milk and Trout Mask Replica.

100 tracks. Status Quo, Uriah Heep, Slade, The Allman Brothers Band, Thin Lizzy, The Guess Who, Lynyrd Skynyrd, Atomic Rooster, The Moody Blues, Steppenwolf, Blue Oyster Cult, Santana, Rainbow, Lou Reed, Kiss, Toto, Ted Nugent, Electric Light Orchestra, Iggy Pop, Rush, Motorhead, Cheap Trick, Judas Priest, REO Speedwagon, Yngwie Malmsteen, Soundgarden, Accept, Alice Cooper, Dio and more, and more…

Forty years after the release of one of the greatest Australian debut albums of all time - (I’m) Stranded - Ed Kuepper returns with a brand new band and a brand new contender for the title: The Aints! The Church of Simultaneous Existence.

Believers Never Die – Greatest Hits is the first greatest hits album by American rock band Fall Out Boy. It was released on November 17, 2009 in the United States by Island Records, containing all of the songs the band has released as singles throughout their career thus far in chronological order, as well as two new songs and two rarities. Believers Never Die was generally received positively by critics. Believers Never Die – Greatest Hits debuted at No. 77 on the US Billboard 200 chart, finding its greatest success in Australia where it reached No. 25 on the Australian Albums Chart. In the UK, Believers Never Die peaked at No. 88 and was certified Silver by the British Phonographic Industry in 2013 for 60,000 shipments.

'The Best of the Pogues' was the sixth album released by The Pogues and marked a watershed for the band. They had sacked founder, principal songwriter and lead singer Shane MacGowan and the album was intended as a end of an era before their projected renascence.

Haunted Hits: An Hour Of Scary Songs & Sounds is a 1996 compilation released by Rhino Records. The theme of it is Halloween-related pop songs by the likes of Screamin' Jay Hawkins, Ray Parker Jr., and such outsiders as sleazy punk rockers The Cramps. While the subtitle says it is an hour of music, it is ready 34 1/2 minutes of music and 25 minutes of "haunting" sound effects. Sunburst Studios are the production company credited in making the sound effects.

If you're willing to count his work in such early regional bands as the Prime Movers and the Iguanas, Iggy Pop has been playing rock & roll for over 40 years as this compilation hits the stores – meaning there are guys in big-league rock bands who've spent years trying to be Iggy but weren't even alive when the guy first started plugging into the Real O Mind. That, dear readers, is influence, and while the man has had more than his share of creative ups and downs over those four decades, one spin of A Million in Prizes: The Anthology tells you why Iggy has always mattered, and still does – he has never lost the ability to plug into the primal madness and furious belief that separates great rock & roll from ordinary stuff, and he can call up that near-demonic passion on a regular basis…

Live set by former Velvet Underground member and the ringmaster of the avant-garde, Mr. John Cale. The album is virtually a career retrospective, recorded live on John's 2006 European tour. Cale felt like he'd finally found the personnel to interpret his songs with new twists, new dimensions and new emotions. None more so evident than the track 'Gun', originally appearing on 1974's Eno & Manzanera produced Fear but now sounding akin to a heavy arsenal of crunching weaponry. Inspired, Cale recorded the dates and the band began to tear up a 40 year musical history book, challenging and breathing new life into Cale's work. In full, confident stride they take in everything from 'Femme Fatale', the Warhol tribute 'Style It Takes', a capricious 'Pablo Picasso', the sweet groove of 'Hanky Panky Nohow' from 'Paris 1919', 'Look Horizon' & 'Zen' from 2003's 'Hobosapiens', the Neptunes inspired funk of 'Outta The Bag' and 'Hush' from 'black:Acetate', an impassioned take of Presley's 'Heartbreak Hotel' and the viola swathed VU masterpiece 'Venus In Furs'.

Boasting a big-name producer and appearances from a handful of actual mainstream rock stars, Brick by Brick was a remarkably successful attempt (critically, if not commercially) to create an "event album" around Iggy Pop, so the follow-up came as a surprise – American Caesar was cut fast and loose in a New Orleans studio, with Malcolm Burn (hardly known for his work in hard rock) in the producer's chair and Pop's road band backing him up…

The debut album from gothabilly supergroup featuring 69 Eyes vocalist Jyrki rockin’ out with Head Cat six-string slinger Danny B. Harvey, former Cramps bassist Scott “Chopper” Franklin, and Blondie drummer Clem Burke! Includes a guest appearance by the queen of rockabilly herself, Wanda Jackson, on a stunning version of Elvis’s “She’s Not You” as well as other rock classics such as Del Shannon’s “Runaway” and Dwight Pullen’s “Sunglasses After Dark” plus Bauhaus’s “Bela Lugosi’s Dead” Duran Duran’s “Girls On Film” and lots more!

The Shape of Punk Is Dumb is a 5-song EP released in 2018 by Dead American. This EP is self-released.

While Don Was is best known for his work with mutant funkateers Was (Not Was), he was also a Motor City boy with fond memories of the Stooges' glory days, and when he was hired to produce an album for Iggy Pop, Was said, "The guy is incredibly intelligent, writes great lyrics, is a great singer, and I just wanted to get that across."…

This was Iggy in his truest form, climbing up from the bottom. There was something about the way he screamed "I got a right" that let you know, he certainly did and he worked it for all it was worth. Maybe not the best production of it's time but still the most honest…

This CD contains great Australian indie/alternative music that was either financed by the bands themselves or by some of the ground breaking, risk taking small record businesses of this time.