Camille and her enthusiastic supporters in the French musical press may be tired of the Björk comparison but, frankly, it is impossible to imagine a record such as Music Hole without the trailblazing work of the tiny Icelandic wonder. Time has abundantly proven than Björk's conception of pop music was a lot more than quirky novelty. Her boundless imagination, particularly in the mixing of organic and inorganic sounds and in the liberation of the human voice as a creative tool (rather than as a lyric broadcaster, or even as a singer), has provided the seeds for some of the most interesting – or at the very least idiosyncratic – acts to emerge in recent years. And this is a truly global influence, one that seems particularly attuned to independent spirits the world over, many of multi-ethnic origins: Bat for Lashes, Animal Collective, Panda Bear, Stina Nordenstam, Emiliana Torrini, Cocorosie, Juana Molina, and of course, Camille. Compared to Molina's much acclaimed Un Día, Camille's project of the same year Music Hole is less hypnotic, but certainly more fun.

this is a beautiful cd version of the riot archives demos & rough takes done in 1982 &1983 w/ there second vocalist the late great FORESTER!!!…

US musician, author and activist Amanda Palmer has announced Forty-Five Degrees: A Bushfire Charity Flash Record set for release on Friday, February 21. Recorded in just five days, the album is an immediate response to the ongoing bushfire crisis plaguing Australia with all proceeds going to Firesticks Alliance; an Indigenous led network re-invigorating and teaching cultural burning and land management.

For the last 30 years, Greg Dulli, frontman of The Afghan Whigs and The Twilight Singers, has been the poet laureate of the bizarre whims and cruel tangents of desire. A foremost authority on the sell-your-soul rewards of carnal lust, the high voltage epiphanies of chemical enhancement, and the serotonin lows left in their wake.Therein lies Random Desire, the first solo album under Dulli’s own name, via Royal Cream / BMG.

Phil Collins took a long time to deliver Testify, his first record since redemptive post-divorce album Dance into the Light. On that 1996 affair, he was open to all the possibilities that may arrive during this new act and, accordingly, the album felt expansive…

Known simply as "T", German multi-instrumentalist Thomas Thielen has been recording music as a one-man act since his time with the short-lived progressive rock act Scythe ended. This doesn't sound like a solo album, but much more like a group work, and one soon quickly moves away from the feel that this is the work of just one man to confronting the bleakness and darkness of this album. He is bringing in musical themes and influences such as modern Marillion, IQ, Radiohead, Peter Gabriel and Geoff Mann.

Heat, Dust And Dreams is a studio album by South African artist Johnny Clegg and his band Savuka, released in 1993, produced by Hilton Rosenthal, co-produced by Bobby Summerfield. The album received a 1993 Grammy Award nomination for Best World Music Album. The album would be the final work of the band Savuka. It was made in honor of member Dudu Zulu, who had been assassinated in the last years of the apartheid. Most songs of album are heavily influenced by the end of this dark period of South African history. "These Days", "When the System has Fallen", "In My African Dream" and "Your Time Will Come" all express hope for the future, while songs like "The Promise" and "Foreign Nights" talk of the problems people still have to face. "Emotional Allegiance" turns the attention to the Indian influence featuring Ashish Joshi on Tablas. It is the only Savuka album to receive the same degree of critical acclaim as the Juluka albums such as Universal Men, African Litany, Work for All and Scatterlings.

MILLENIUM is a Polish five-piece neo-progressive band with Polish vocals on their 1st album and English vocals dominating after their 2nd production, generally in the PENDRAGON and early MARILLION styles but also with some spices of PINK FLOYD and classical GENESIS…

Perhaps nobody was as surprised by Rod Stewart's return to songwriting as Rod Stewart. Rod hadn't bothered composing a tune in nearly two decades when he decided to write a brand new bunch of songs for 2013's Time, an album inspired in part by his 2012 memoir Rod: The Autobiography. Arriving after ten years of Great American Songbook albums, the change in style and song was refreshing, something fans (and some critics) noted…

Three CD collection. RPM Records is pleased to present the most detailed overview of the hitmaking career of Mitch Ryder & the Detroit Wheels. Sockin' It to You features three CDs containing all five of their albums for Crewe plus all of the non-LP 45 releases, including one LP and several single sides making their CD debut. Disc One features the albums Take A Ride which includes the single hit, 'Jenny Take A Ride' and "Breakout" which features the hit singles, 'Devil with A Blue Dress', 'Little Latin Lupe Lu' and 'Breakout'. Disc Two features the album Sock It to Me and the singles 'Sock It to Me Baby' and 'Takin' All I Can Get'. Next comes the album "All Mitch Ryder Hits", a compilation set that featured one new track a version of the Motown hit for The Marvelettes, 'Too Many Fish in The Sea' and the vintage novelty song, 'Three Little Fishes'. We have not included the rest of the album as all of the tracks are already featured.

Miguel Ríos y Las Estrellas Del Rock Latino is a 2001 album bt Spanish singer Miguel Ríos, teaming him up with a number of Latin rock singers, including Aterciopelados, Charly Garcia and Manolo García. This was released by Bat Discos/Rock & Rios/Ariola/BMG U.S. Latin.

With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era. According to legend, the group was so stoned when they recorded the track that they could neither pronounce the title "In the Garden of Eden" or end the track, so it rambles on for a full 17 minutes, which to some listeners sounds like eternity…

The Grateful Dead made their reputation on the road with their live shows, and they always struggled to capture that magic in the studio. From the Mars Hotel, while not a classic, represents one of their better studio albums. Jerry Garcia sounds engaged throughout and takes the vocal reigns for most of the songs on the album – although he's not the most gifted vocalist, he proves himself able and versatile…

2011 limited edition LP replica release by Phoenix Records. Classic wasted stoner rock from 1971. Joint 1st in Julian Cope’s Top 50 Japanese album chart (along with Flower Traveling Band’s Satori). Speed, Glue & Shinki's landmark debut album, 1971's Eve, is one of the greatest contradictions of its time (maybe all time): a primitive, deranged, and at times downright sloppy mutation of acid blues and proto-metal, akin to the Bloomfield/Kooper/Stills Super Session crashing headlong into earliest Zeppelin and Sabbath records, as performed by musicians whose instrumental chops were actually beyond reproach…but you'd never be able to tell from this!

Esoteric Recordings are pleased to announce the release of a newly re-mastered and expanded 50th anniversary edition of the first solo album by the legendary Peter Green. Peter’s work with Fleetwood Mac needs no introduction. His acclaimed guitar playing and writing graced several albums and a succession of hit singles before he departed the group in 1970.