Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released on September 23, 1991 on 4AD in the United Kingdom and Elektra Records in the United States. After the surf-pop of Bossanova (1990), the band returned to the abrasive sound of the band's earlier releases. Bonus Tracks 16 to 19 recorded live at Muziekcentrum Vredenburg, Utrecht on 25th September 1990 for VPRO Radio 3, Holland.

Raised To Life is a 3-song EP released in 2014 by Christian pop group Elevation Worship. This was released by Essential Worship, in honor of Christ.

Buffalo Tom began life as a trio of pre-grunge, neo-psychedelic guitar maulers owing a heavy debt to Dinosaur Jr. (though one might argue that on Birdbrain they actually beat J. Mascis at his own game), but over the next dozen years they matured into a considerably more dynamic and intelligent band, capable of generating crunching rockers or acoustic ballads with equal precision, all of which possessed heart, soul, and a compassionate intelligence. Asides from Buffalo Tom compiles most of the band's best-known songs, including the top sides of their singles, radio emphasis tracks, a few fan favorites, and a cover of the Jam's "Going Underground" from a 1999 tribute album. While the album isn't sequenced chronologically, which would have made a greater case for their growth over time, it does a superb job of capturing the many sides of their musical personality, and it is both a fine summation of their first 11 years as a recording act and great introduction to one of the better bands to rise from the alt-rock scene in the 1990s.

Coupling Debbie Harry and partner Chris Stein with Chic's Nile Rodgers and Bernard Edwards sure seems like a good idea. Add H.R. Giger's stunning cover art and KooKoo should have been a winner. Too bad everyone forgot to bring the songs. Harry's stern delivery over the funky backing winds up sounding forced, with lyrics that are clumsy and limited. "Inner City Spillover" starts off promising enough, but its metaphor of bricks in the city that fall on people's heads and end up paving serene suburban Maine roads hangs around four minutes too long.

The Moonlandingz may have started their life as a fictional band, but one spin of their 2017 album Interplanetary Class Classics shows they have more life coursing through their veins than 99.9% of all the "real" bands out there. When the Eccentronic Research Council needed to concoct a band for their 2015 album Johnny Rocket, Narcissist & Music Machine…I'm Your Biggest Fan, they called up Lias Saoudi and Saul Adamczewski of Fat White Family and together they came up with a sleazy, greasy glitter punk band.

Collection is a greatest hits album by Tracy Chapman, it features tracks from her first five studio albums. The tracks include her two U.S. Top Tens, "Fast Car" and "Give Me One Reason". Other charted singles on this album include "Talkin' 'bout a Revolution", "Crossroads", "Telling Stories", and "Baby Can I Hold You".

The first new Hipsway album since 1989's SCRATCH THE SURFACE. For Smoke & Dreams Hipsway set themselves up in a small studio without headphones or separation and played live – the old way. This has left the record with a certain soul/charm/rawness/depth – call it what you want but repeated plays will reward the listener, with small details popping out here and there. And as if that wasn’t enough the album has a casserole of great tunes with a handful of disco and soul flavours, a grinding of new wave, a few twists of art rock and a shake of good honest pop.

"Rock 'n' Roll Juvenile" is a 1979 album by Cliff Richard. It featured his biggest-ever single, "We Don't Talk Anymore", which was a UK #1 hit (his first since 1968's "Congratulations" and his only one of the 1970s) and the #4 hit "Carrie". This album continued Richard's revival, which had begun in 1976 with the "I'm Nearly Famous" album and would now increase in strength for the next few years into the 1980s.

This 4 CD collection gathers together for the first time the entire Ian Campbell Folk Group catalogue recorded for Transatlantic Records, covering the period 1963-1968. This collection includes 6 studio albums plus related bonus material from the period. The Ian Campbell Folk Group were one of the most respected, influential and best known British folk groups of the 1960’s. Taking their origins from Aberdeen, the band formed in Birmingham in 1958. They signed to Transatlantic Records in 1963 and proceeded to record the content of this collection over the next 6 years. They topped the bill at the Royal Albert Hall, made numerous TV appearances, attended the Newport Folk Festival in 1964 and were prolific live performers throughout Europe. Dave Swarbrick and Dave Pegg who both achieved fame with Fairport Convention, are featured in this collection.

Yonatan Gat is a guitarist, producer and experimental composer based in NYC. Gat became known as one of the world's top performers as founder and guitarist of Monotonix, hailed by SPIN as "the most exciting live band in rock’n’roll,” with concerts that destroyed the border between performer and audience, and were controversial enough to get them banned from playing their home country of Israel.

The conflict and correlation between dark and light is a universal theme with a historically rich history. Musically, perhaps no band in the 21st Century has mined that relationship more consistently or effectively than Japan’s MONO.

John Illsley is an English musician who rose to fame as the bass guitarist of the critically acclaimed band Dire Straits. With Dire Straits, John has been the recipient of multiple BRIT and Grammy Awards and a Heritage Award. As one of the founding band members, with Mark Knopfler, his brother David and drummer Pick Withers, John played a major role in the development of the Dire Straits’ sound. Collection includes: 'Never Told A Soul' (1984); 'Glass' (1988); 'Beautiful You' (2008) with Greg Pearle; 'Streets Of Heaven' (2010); 'Live In London' (2014); 'Testing The Water' (2014).

On her fifth proper full-length album, Sharon Van Etten pushes beyond vocals-and-guitar indie rock and dives headlong into spooky maximalism. With production help from John Congleton (St. Vincent), she layers haunting drones with heavy, percussive textures, giving songs like “Comeback Kid” and “Seventeen” explosive urgency. Drawing from Nick Cave, Lucinda Williams, and fellow New Jersey native Bruce Springsteen, Remind Me Tomorrow is full of electrifying anthems, with Van Etten voicing confessions of reckless, lost, and sentimental characters. The album challenges the popular image of Van Etten as just a singer-songwriter and illuminates her significant talent as composer and producer, as an artist making records that feel like a world of their own.

Est. 2008, New York by the duo of Arone Dyer & Aron Sanchez. We are an experimental pop band who improvise & edit down the results until only the grooviest parts remain.We play on instruments we build—formerly the buke & gase exclusively. Now the Arx & other things. NPR Music once said “No other bands sound quite like the duo of Buke & Gase.” Ok!

Arc Angel is an AOR rock band that was formed by musicians Jeff Cannata and Michael Soldan. Jeff Cannata and Michael Soldan had previously been in the popular Connecticut-based band Jasper Wrath. Cannata played drums and Soldan played keyboards; both composed most of the group's songs. After Jasper Wrath's demise in 1976, Cannata and Soldan continued writing songs together. Cannata started working with guitar and keyboards more in order to develop his songwriting abilities. In the early '80s, Cannata and Soldan presented some of their new compositions to the staff at CBS Records. CBS really liked what the duo were doing and they signed them for a record contract. The only problem was that there was no live band to perform the songs. Cannata and Soldan got the idea to record the album with a large group of session musicians, similar to The Alan Parsons Project.