This five-disc set from legendary UFO and Scorpions guitarist Michael Schenker collects all six albums that he made for Chrysalis between 1980 and 1984 under the Michael Schenker Group moniker. Bolstered by a handful of live cuts, B-sides, and alternate edits, The Chrysalis Years: 1980-1984 includes the group's eponymous 1980 debut MSG 2 (1981), the Japanese double-live album One Night at Budokan (1981), Assault Attack (1982), Built to Destroy (1983), and the band's second live album, Rock Will Never Die (1984).

On the Threshold of a Dream was the first album that the Moody Blues had a chance to record and prepare in a situation of relative calm, without juggling tour schedules and stealing time in the studio between gigs – indeed, it was a product of what were almost ideal circumstances, though it might not have seemed that way to some observers…

The world of pop music was hardly ready for The Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety…

Lucky 13 is a compilation of the first two "Too Slim and the Taildragger" recordings , "Swingin' in the Underworld" 1988 and "Rock em Dead" 1990. This album is a great representative of the bands formative years. The band was a hard drivin' blues rock band doing the club circuit in those days. All the original tunes are penned by founding member and guitarist Tim "Too Slim" Langford. There is a great selection of covers by the band including a "raucous" rendition of Link Wray's "Rumble. Classic Good Ol' Blues Rock'n Roll. Fits like an old pair of your favorite jeans. Shuffle, dance or kick back and enjoy the groove. This is a "must have" CD for Too Slim fans!

Nucleus were a pioneering jazz-rock band from Britain who continued in different forms from 1969 to 1989. They were led by Ian Carr, who had been in the Rendell–Carr Quintet during the mid and late 1960s, and was a respected figure in British jazz for more than forty years. Their jazz-based music evolved from an early sound incorporating elements of progressive and psychedelic rock toward combination with a funkier sound in the mid and late 1970s. Elastic Rock is Nucleus' first album. Recorded in January 1970, it was a pioneering work in emerging genre of jazz-rock fusion.

Every Deep Purple true lover knows how much their magic and powerful style is the result of many different influences brought in by the single members, all merging into the powerful sound loved by millions of rock fans. Ian Gillan's love for American soul and Rhythm & Blues as well as skiffle and early rock and roll has been well documented in many articles and interviews. Founded in the early 60s, The Javelins were influenced by Pop, Soul, Country, Jazz and Blues artists from America. They soaked up the music of their heroes, added their own stamp and went from town to town to perform their favourite songs in front of a small but ever growing audience – becoming local heroes themselves. This was the time when Ian Gillan discovered himself, broke the chains and ‘found his voice’.

The latest Zappa-themed album curated for Cordelia Records by the Idiot Bastard.

Citing the likes of Debussy, Captain Beefheart, and Nina Simone as her main influences, it's clear from the outset that Anna Calvi isn't your average, run-of-the-mill singer/songwriter. She may have been tipped for success by everyone from the broadsheet music press to Brian Eno, but her blend of sultry blues-rock and dark, mysterious flamenco is a million miles away from the chart-friendly output of her fellow Sound of 2011 nominees. Her self-titled debut, therefore, is unlikely to reap the same commercial rewards as the likes of Jessie J and Clare Maguire, its uncompromising, gothic, David Lynch-esque nature certainly won't spawn any bite-size TV ad soundtracks or airplay favorites your mom can sing along to. But in a music scene dominated by female solo artists, Calvi's romantic but often sinister ten songs certainly helps her to stand out from the crowd. Opening track "Rider to the Sea," sets the scene immediately, a brooding instrumental whose atmospheric twanging guitars would provide the perfect score should Quentin Tarantino's much rumored Kill Bill 3 ever come to fruition.

After the freakish hard rock of The Man Who Sold the World, David Bowie returned to singer/songwriter territory on Hunky Dory. Not only did the album boast more folky songs ("Song for Bob Dylan," "The Bewlay Brothers"), but he again flirted with Anthony Newley-esque dancehall music ("Kooks," "Fill Your Heart"), seemingly leaving heavy metal behind. As a result, Hunky Dory is a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class. Mick Ronson's guitar is pushed to the back, leaving Rick Wakeman's cabaret piano to dominate the sound of the album.

Ring of Fire: The Best of Johnny Cash is the sixteenth album in total by the singer-songwriter Johnny Cash, released on Columbia Records in 1963. This album collects tracks from singles and an EP released between 1959 and 1963, Cash's first years on the Columbia label, and marked the first release of these tracks in LP format, with the exception of "I Still Miss Someone," which had previously appeared on the 1958 album The Fabulous Johnny Cash. "Ring of Fire", one of Cash's most famous tracks, made its first LP appearance here. Ring of Fire was the first #1 album when Billboard debuted their Country Album Chart on January 11, 1964. It was certified Gold on February 11, 1965, earning him his first Gold LP.

The international release The Paul Simon Anthology was a two-CD abridged version of the three-CD box set Paul Simon 1964-1993. For this version, the first two discs of the box set were condensed into a single CD, while the third disc, left untouched, was now the second disc. This accentuated one of the weaknesses of the box set, weighting the selections even more heavily toward Simon's later work. Here, his recordings originally released between 1965 and 1983 (including six Simon and Garfunkel tracks) made up the first disc, and the second disc covered only the period 1986-1993, and really 1986-90, since the only recordings released after 1990 were "Thelma," an outtake from the 1990 album The Rhythm of the Saints and three performances from the 1991 live album Paul Simon's Concert in the Park. While the abridgment seemed to have been made with an eye on the British charts, for the most part eliminating only songs that had not been hits in the U.K. (the exceptions being "America" and "Take Me to the Mardi Gras"), the album still didn't function as a full-fledged greatest hits album, lacking such British chart singles as "Homeward Bound" and "I Am a Rock" (neither of which were on Paul Simon 1964-1993, either).

Breaking Silence finds Ian ditching her past waifishness for a confident, mature, contemporary acoustic approach relying mostly on spare guitar and piano textures. Opening with "All Roads to the River" (also recorded by John Mellencamp), Breaking Silence includes among its highlights the Holocaust-survivor tale "Tattoo" and the dramatic half-a cappella, half-syncopated-rocker title track.

After Ultravox dissolved in 1988 following the very disappointing album U-Vox, Billy Currie created two very interesting and good solo albums. But, in an attempt to revive his career, he teamed up with relatively unknown guitarist/vocalist Tony Fenelle and first created a new version of the classic Ultravox song "Vienna ("Vienna '92") and then created this album with co-producer Rod Gammons…