Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released February 1977. The album signalled a new direction for the band, who turned to celebrating British pagan folklore and the countryside life in a wide-ranging folk rock style which combined traditional instruments and melodies with hard rock drums and electric guitars. The album is considered to be the first of a trio of folk rock albums: Songs from the Wood, Heavy Horses (1978) and Stormwatch (1979). On the album cover appears an extended title line: “Jethro Tull—with kitchen prose, gutter rhymes and divers—Songs from the Wood.” The title track of the album contain two of these phrases in its lyrics.

If ever there were a record that both fit perfectly and stood outside the CTI Records' stable sound, it is Sugar by Stanley Turrentine. Turrentine, a veteran of the soul-jazz scene since the '50s, was accompanied by a who's who of groove players, including guitarist George Benson, Lonnie Liston Smith on electric piano, Freddie Hubbard on trumpet, bassist Ron Carter, organist Butch Cornell, and drummer Billy Kaye, among others. The title track is a deep soul blues workout with a swinging backbeat and the rhythm section fluidly streaming through fours and eights as Benson, Hubbard, and Turrentine begin slowly and crank up the heat, making the pace and stride of the cut simmer then pop - especially in Hubbard's solo. This is truly midnight blue, and the party's at the point of getting really serious or about to break up…

Reissue of the soundtrack to director Bob Fosse's acclaimed 1979 musical co-starring Roy Scheider and Jessica Lange. Ralph Burns arranged & conducted all 14 tracks, which include performances by George Benson, Sandahl Bergman and Ben Vereen with Scheider.

'80 Dance Classics (or Dance Classics '80 is a 1994 Russian compilation CD featuring music from the two previous decades. There is no concept as to why these songs are together but if it makes you dance and sing, that's good enough. Queen? Technotronic? Milli Vanilli? Status Quo? It doesn't matter. This was illegally made but it is illegally exciting, courtesy of Larry EP/MBM.

Bread's third album, Manna, isn't so much a step forward as it is a consolidation of strengths, as the group sharpens their skills and carves out their own identities. It's clear that the rift between David Gates and Robb Royer and James Griffin is beginning to take shape, as the album is evenly divided between Gates tunes and Royer/Griffin compositions. This benefits the album, since it spurs each member to greater heights, and they even tend to sequence the record in ways that support that sentiment – Gates' "Let Your Love Go," complete with its rockin' harpsichords, is followed by the hard-driving verses of "Take Comfort," which, admittedly, is tempered by a dreamy chorus.

Wonderful reissue from an old LP recorded with the sensitive Italian singer Ornala Vanoni together with Brazilian composer/poet/singer Vinícius de Moraes and his partner Toquinho. De Moraes is the composer of most of the lyrics covered in this Italian-sung album. There are fundamental songs here, such as "Sinal Fechado" ("Semaforo Rosso" in the Italian version), a classic by Paulinho Da Viola that was not found in bossa records very often - there was some animosity between the bossa party and the samba composers of the Carioca hills like Da Viola. It has an exquisite, unique melody, nevertheless. There are also de Moraes partnerships with names such as Jobim and Baden Powell, all splendid songs…

Slade may have never truly caught on with American audiences (often narrow-mindedly deemed "too British-sounding"), but the group became a sensation in their homeland with their anthemic brand of glam rock in the early '70s, as they scored a staggering 11 Top Five hits in a four-year span from 1971 to 1974 (five of which topped the charts)…

Too Old to Rock 'n' Roll: Too Young to Die! is the ninth studio album released by British band Jethro Tull, recorded in December 1975 and released in 1976. It is the first album to include bassist John Glascock who also contributes with backing vocals. Too Old to Rock 'n' Roll: Too Young to Die! is the last Jethro Tull concept album, which follows the story of Ray Lomas, an ageing rocker who found fame with the changes of musical trends. Although much of the album concept is only explained in the cartoons printed in the sleeves, there are changes in the plot or in details between the cartoons and the music.

Limited ediition box set of maestro Hozan Yamamoto's extraordinary jazz output.Hozan Yamamoto caused a sensation when he made these albums. The ten jazz albums in this box set were released between 1967-1986 and include some live recordings such as 'Hakone Hachiri' 'Midare' and 'So Tired' from the 1967 Newport Jazz Festival. The box set also presents a bonus disc featuring an unreleased performance from November 4th, 1975.

The only existing full-length recording of I Cantori Moderni Di Alessandro Alessandroni, the legendary vocal group that lent their voices to the amazing soundtracks of Ennio Morricone, Piero Umiliani and many of the most important Italian composers of the '60s and '70s.

Undoubtedly one of the central figures of 1960s/70s Italian film music, Alessandro Alessandroni defined the very essence of the genre with his vocal group, I Cantori Moderni. Renowned for his pioneering reverb guitar sound, sitar exploration and a phenomenal whistling technique, (Perhaps best known for his contribution in shaping the famous ‘Spaghetti Western’ sound) Alessandroni’s vast and innovative contribution to Italian soundtracks is unparalleled. Recording countless sessions for many Italian film composers of the period including Ennio Morricone, Bruno Nicolai, Piero Umiliani and Francesco De Masi (The Good, the Bad and the Ugly, All the Colours Of The Dark, Sweden: Heaven and Hell and Alla Scoperta Dell’India respectively), his importance as a sideman often overshadowed his own work as a solo artist. Complementing his session work, Alessandroni was an amazingly inventive composer in his own right; his unique compositions were issued on many Italian, French, and German Library labels throughout the 1970s.

When Kevin Godley and Lol Creme left 10cc in 1976 to pursue a solo career, many thought it was the death knell for the group. However, Eric Stewart and Graham Gouldman kept the group alive as a duo (with the assistance of percussionist Paul Burgess) and turned in a surprisingly solid album with 1977's Deceptive Bends…

In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-'70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle Danielsson, and drummer Jon Christensen. Due to the popularity of the haunting "My Song," this album is the best known of the Jarrett-Garbarek collaborations and it actually is their most rewarding meeting on record. Jarrett contributed all six compositions and the results are relaxed and introspective yet full of inner tension.

A welcome return to their lightest and wispiest styles, with clear, shimmering instrumental textures that are almost like sonic waterfalls. Their enigmatic, moody song structures and melodies remain, with the most histrionic edges of Annisette's vocals toned down…

Houses Of The Holy is the 1973 fifth album by British hard rock band Led Zeppelin. This is taken from the 2008 Japanese remaster released by Atlantic/Warner Music.