Pearl Jam - Let's Play Two: Live at Wrigley Field (2017) {Republic Records B0026964-02} (Digibook, Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 565 Mb | MP3 @320 -> 191 Mb
Full Artwork @ 600 dpi (jpg) -> 409 Mb | 5% repair rar
© 2017 Republic Records / Monkeywrench Records ‎/ Universal | B0026964-02
Rock / Alternative / Indie Rock

Among the many things Eddie Vedder wears on his sleeve is his love of the Chicago Cubs. He was there during the Cubbies' historic World Series win of 2016, singing "Take Me Out to the Ballgame" during the seventh inning stretch of Game 5, an honor for a fan who held the team dear since a child, but earlier in the season, he and Pearl Jam saluted the Cubs with a pair of August concerts at Wrigley Field. Let's Play Two is a concert film documenting that stand and it's accompanied by a live album, which is Pearl Jam's first mass-market live album since Live on Ten Legs.

On his fifth full-length, The Afterlove, British singer James Blunt makes a risky shift in his sensitive-guy-with-a-guitar sound, opting for a taut collection that tugs at the heartstrings with polished pop sheen. The slight departure seems to be a conscious decision, as the confidently self-aware Blunt sings that he "would have said 'you're beautiful'/but I used that line before," referencing his inescapable 2005 smash single. Recruiting OneRepublic's Ryan Tedder and Ed Sheeran on production, writing, and occasional backing vocals (the trio even joins forces on the pastoral "Time of Our Lives"), Blunt presents his most mainstream offering yet.

Released in January 1974, ‘Here Come The Warm Jets’ was Brian Eno’s debut solo release following his departure from Roxy Music. The album draws on both his glam and prog roots but its experimental nature also made it quite unlike anything that’d ever come before. It was also to prove a huge influence on the best of the British punk and post-punk bands that followed it. This new gatefold 2LP vinyl edition of ‘Here Come The Warm Jets’ is presented over two 180GM discs which play at 45rpm for optimum sound quality. High resolution mastering from the best known sources and half-speed cutting were supervised by Miles Showell at Abbey Road Studios.

The Mass in B Minor, hailed in 1818 as the “greatest musical composition of all times and all cultures” by its first publisher, Hans-Georg Nägeli of Zurich, is today revered as one of the greatest works in the history of classical music. Not only has the composition substantially shaped the contemporary relevance of Johann Sebastian Bach, but it also underpins his standing as a pre-eminent artist of universal appeal.

This December 1977 recording features two of the most prominent AACM musicians, Roscoe Mitchell and Anthony Braxton. Mitchell's composition 'run the gamut, beginning with the darkly gorgeous opener that features Braxton's contrabass clarinet nestling evocatively beneath the composer's earthy flute, Mitchell's other pieces investigate the sparer, more abstract realm, as the duo's wide variety of reeds populate the sonic environment with scattered moans, squeaks and pops. Overall, this is a fine meeting between two of the most forward-looking thinkers and players in the music. Recommended. ' - Brian Olewnick, Allmusic

Time Travelers (2015). Influences of classic electronic music (Tangerine Dream, Jarre, Kraftwerk) in combination with more modern styles and sounds.
Time Travelers Too (2015). Time Travelers Too offers more adventures related to the time travel theme. This was a planned follow-up to the original Time Travelers release. The goal with Time Travelers Too was to sound less "retro" compared to Time Travelers. This was accomplished by the use of sounds that are a bit more modern in nature, while still keeping a familiar and consistent overall feel…

Their versatile sound, at times reminiscent of golden 60s, power pop, dream pop, post-punk and indie rock, demonstrates a dynamic range of songwriting prowess centered around consistently infectious, sun-soaked melodies and guitar hooks. HFHW formed in Davis, California as a noise collaboration between Adam Abildgaard and Nick Duffy in 2010, expanding to a full band when bassist Ted Davis and guitarist Nathaniel Blum joined the group in the following years. Renouncing the traditional front-manned format of most contemporary bands, the four instead each contribute songs and share the lead.

Although still largely associated with the '90s neo-swing movement, Big Bad Voodoo Daddy have long outrun that moment's MTV zeitgeist and spent the 2010s deepening their jazz roots. The past decade-and-a-half have found them branching out, exploring New Orleans blues, Cajun, and second-line traditions on 2003's Save My Soul, and paying tribute to legendary Harlem bandleader Cab Calloway on 2009's How Big Can You Get? In this spirit of reinvestigating their influences, the band's 11th studio album, 2017's urbane and upbeat Louie Louie Louie, finds them celebrating three of their biggest musical heroes: Louis Armstrong, Louis Prima. and Louis Jordan.

Gumboot Soup is the thirteenth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 31 December 2017 by Flightless Records. The album is the final of five albums released by the band in 2017. The artwork was designed by longtime band collaborator Jason Galea.

Soul Jazz Records' new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame.

Famed for his Debussy playing, the pianist Philippe Cassard brings his acute ear for instrumental color to these deceptively simple miniatures. Like Grieg’s Lyric Pieces, Mendelssohn’s Songs Without Words requires a master pianist’s touch, and Cassard is fully up to the challenge. He plays with an accompanist’s sensitivity (he works regularly with the soprano Natalie Dessay) and brushes in the melodies with real skill. His control of line is effortless, and the music simply flows on the wings of song.

After several years without singer Ed Kowalczyk, Live are back to being the four-piece that recorded most of their major hits and the timing couldn't be better. That's because the band's debut album, Mental Jewelry, has turned 25 and the group is readying a special 25th anniversary reissue that will arrive on Aug. 11.