The oratorio "Der Kampf der Buße und Bekehrung" (the struggle for penance and conversion) is among Johann Michael Haydn's lesser-known works. The Purcell Choir together with the Orfeo Orchestra, under the direction of György Vashegyi now present a recording of the second and only surviving part of this three-part oratorio. It is impressive, especially for its unusual scoring: All of the the five solo roles are allotted to sopranos. The artistic mixture of majestic passages, surprising turns, Baroque rhetorical figures and virtuoso arias makes clear why later composers (e.g., Mozart, Schubert or Bruckner) repeatedly took Johann Michael Haydn's music as their model.

Cancion andaluza es lo ultimo que grabo Paco de Lucia y no es el disco que esperabamos los que seguimos su carrera. El guitarrista murio el pasado 26 de febrero tras sufrir un inesperado y fulminante ataque cardiaco mientras jugaba en Playa del Carmen, en el Yucatan mexicano, donde tenia su retiro espiritual y practicaba una de sus aficiones favoritas, la pesca submarina. Contiene ocho clasicos de la copla, bien reconocidos por quien sea aficionado a este genero todavia asociado despectivamente con tonadilleras. Aqui tenemos al Paco de Lucia arreglista de canciones atemporales, clasicos de la Cancion andaluza, como el propio guitarrista las llamaba.

Theodore Walter "Sonny" Rollins, born September 7, 1930, remains one of the most influential and important American Jazz musicians of all time and is widely recognized as the finest tenor sax player in Jazz's long history. Although now well into his 80s, Rollins continues to perform and release new recordings. Rollins was born in New York City, to parents who were themselves born in the U S Virgin Islands.

One of the most revered and oft-overlooked bands to emerge from the fertile '70s English hard rock scene, shape-shifting space metal veterans UFO have issued their fair share of compilations, but this ten-piece box set from Rhino leaves little to the imagination. The Complete Studio Albums 1974-1986 includes the records Phenomenon (1974), Force It (1975), No Heavy Petting (1976), Lights Out (1977), Obsession (1978), No Place to Run (1980), The Wild, the Willing and the Innocent (1981), Mechanix (1982), Making Contact (1983), and Misdemeanor (1985) in their entireties.

Jazz Undulation is an exciting live album that captured tenor saxophonist Johnny Griffin in an interesting and unusual setting. Bassist Jimmy Woode and drummer Kenny Clarke were frequent collaborators of Griffin's at the time, all three living in Europe and being members of the Clarke-Boland Big Band. Pianist Hampton Hawes was visiting Europe at the time, and probably just happened to meet them in Rome.

Lee Ann Womack began recording a sequel for MCA Nashville after 2008's Call Me Crazy, but none of its advance singles stuck, leading the singer to shift direction for her seventh studio album. This album didn't appear until 2014, not on Universal but on Sugar Hill/Welk, who picked up The Way I'm Livin', an album that effectively reboots her career. Produced by Frank Liddell – Womack's husband but more notably the producer behind recent hit records by Miranda Lambert, Pistol Annies, David Nail, and the Eli Young Band – The Way I'm Livin' finds the veteran singer intentionally abandoning the chart race for deeply felt intimacy. Womack didn't write any of the songs on The Way I'm Livin' – a collection of writers ranging from Bruce Robison, Kenny Price, Julie Miller, and Mindy Smith to Hayes Carll and Neil Young bear credits – but the material is so carefully selected, the album plays personally.

The “moment” in question occurred in late 1977; the event was the Rahsaan Roland Kirk Memorial Jazz Festival at San Francisco’s Keystone Korner. The Cedar Walton Quartet, co-headlining with Leon Thomas and Bobby Hutcherson, were joined by Walton’s old Jazz Messengers compatriot Freddie Hubbard, returning to a straight-ahead context in the wake of the trumpeter’s controversial plunge into jazz-funk fusion.

Another gem from the creative Beegie Adair and her trio. This time, she is accompanied by Jeff Steinberg and his orchestra. A loving tribute to Tony Bennett and his illustrious career. As usual, Beegie includes one selection on the album where she plays solo piano and she picked 'I Left My Heart In San Francisco'. A beautiful rendition. This is a great album tinged with jazz overtones without losing the melodic memories of Tony's original sound. The orchestra is perfectly balanced and adds just the right touch while still allowing the familiar Beegie Adair Trio sound to shine through. If you are new to Beegie's music, this album will make you a convert to her impeccable sound and those like myself, have added it as another gem to her large catalog of great music.

Features 24 bit digital remastering. Comes with a mini description. I have always liked the arrangements in Lionel Hampton & Orchestra recordings. They are powerful, colorful and tasty. As the title 'Sentimental Journey' implies, we're given Lionel Hampton & Orchestra versions of classic standards. And we're blessed with the smooth and lovely vocals of Sylvia Bennett. Made in 1985, the album credits Lionel Hampton for playing not only the vibraphone but also the Yamaha DX-7 (for what? a vibraphone sound? sounds great, though). If you mainly only like Lionel's solo playing, you may not appreciate the big band focus of Lionel Hampton & Orchestra recordings. Solos are shared, but there's a vibraphone solo on every track, of course.

Everlasting is the second collection of covers Martina McBride has recorded, following 2005's Timeless by nearly ten years. A decade isn't the only thing separating the two records. Timeless was a collection of country covers but Everlasting has soul in its heart, with the singer tackling R&B standards from Aretha Franklin ("Do Right Woman, Do Right Man"), Harold Melvin & the Blue Notes ("If You Don't Know Me by Now"), the Supremes ("Come See About Me"), Otis Redding ("I've Been Loving You Too Long"), and Sam Cooke ("Bring It on Home to Me").

A genre-defying tour of the globe exploring the nexus between classical, popular and traditional music uniquely inhabited by Avi Avital and his magical mandolin. From Bach to Bluegrass to Balkan Beats, the mandolin is the chameleon of the music world - every culture and musical genre features the mandolin or one of its close relatives - and Avi Avital is this beautiful instruments most charismatic, versatile exponent. After the success of the Bach recording, Avi returns to again defy expectations with a selection of beautiful melodies and delightful dances from Europe, Central Asia, and the Americas, each with roots in popular folk traditions, arranged by some of the worlds greatest classical composers. The resulting dialogue between North and South, East and West, New and Old, Classical and Traditional - offers a captivating musical journey Between Worlds. For this journey, Avi is joined by a host of special guests: from music legends such as Richard Galliano and Giora Feidman, to DG stars such as Catrin Finch, accompanied by a hand-picked ensemble of virtuoso friends from around the world.

2014 album from the AC/DC drummer. Over the past 20 years or so amidst time spent drumming for Australia's favorite rock export AC/DC, running a studio and a restaurant, racing cars, flying helicopters and a bit of farming in the land of the long white cloud; Melbourne born drummer Phil Rudd has been quietly writing an album worth of songs. From the rollicking first single "Repo Man", a gentle reminder about karma; to the rocking title track "Head Job", which does not have intimate connotations but is a play on words about going to the pub to commiserate with your mates about someone doing your head in. From the upbeat dirgy groove of "Bad Move" to the relationship-driven "Crazy"; Rudd has delivered a very personal album "about the shit that goes on." as the great man himself said. Perhaps with the exception of "40 Days & 40 Nights", these songs were more inspired by everyday personal experiences in life rather than being about touring the globe with the world's biggest rock band.

Mick Harvey released Intoxicated Man and Pink Elephants in 1995 and 1997, respectively. They were two of his first three solo albums apart from being musical director for Nick Cave & the Bad Seeds, and they are both tribute albums to Serge Gainsbourg. Harvey was among the first native English musicians – if not the first – to delve so deeply into the vast catalog of songs from France's great musical icon (who was Belgian by birth). Both titles feature well-known Gainsbourg tunes, done in English with their French titles placed in italics side by side.

There needs to be at least 5 more available stars for this cd set. Charley Pride's 3rd Album, "The Country Way" was the best album of his entire career! It could have been a Greatest Hits album - all of the songs are THAT good!! Charley is way over due for a boxed set on his entire RCA career, but - hopefully - that will happen soon. You cannot go wrong with this cd. In fact, buy 5 and give to your friends and neighbors. If there is a greater demand for these 60's country music super stars on cd, someone will put out more of all of the deserving artists.

Features 24-bit digital remastering. Comes with a mini-description. A solid effort that has been dismissed based upon its associations with two Cobham lemons, Simplicity of Expression: Depth of Thought and B.C., all recorded around the same time. This recording finds Cobham continuing to explore the funk genre; however, the overall mood here is quite darker and more introspective, similar to Crosswinds.