]Now and Then is the finest collection of de Burgh's greatest hits and also features a brand new track "Live For the Day" featuring Tina Yamout, a young Lebanese singer. Chris met Tina in Beirut last year when he performed on Star Academy, the most popular pan-Arab talent show, on which Tina was a finalist. Now and Then - features classic tracks from his entire career. They include: the hit song "Don't Pay The Ferryman", his number one single "The Lady in Red", which has sold more than 8 million copies worldwide; "Missing You", "High On Emotion", "When I Think Of You", "The Words "I Love You"", "A Spaceman Came Travelling" and many more of his best-known songs.

In some ways UK represented both the last hurrah of progressive music's golden age, and the standard by which all other supergroups that followed would be judged. The impeccable technical precision, complex yet modern arrangements, and dynamic live performances made them an overnight legend whose reputation has far outlasted their brief existence. No other supergroup, progressive or otherwise, has had such an immediate and lasting impact. Recorded live September 11, 1978 at Paradise Theatre in Boston, this recording is finally available after long been only found as a bootleg. Two tracks with the original UK line-up, rather than the more familiar 2nd (Danger Money and later) UK line-up.

With over 30 genre-bending years of experience, creator and mentor Michael Wadada expertly carves a new path in the evolution of Dub, drawing for the melodies of classical Indian Raga and countless other ethnic influences and draping them over bass-heavy rhythms and euphoric soundscapes. In an age of incoherent albums designed to be 'cherry picked', this is an engulfing musical journey, rewarding the listener with almost seamless transitions between rich atmospherics and driven, uplifting beats.

It's hard to believe that it's been more than five years since Ralph Towner issued his last solo guitar album, or any album under his own name, for that matter. Anthem was issued in 2000. Time Line is a return to the stark, spacious and lyrical explorations of that set. That's not to say this is any kind of direct replica. Towner's a restless artist, he pushes his boundaries on the classical and 12-string guitars. The set contains 14 new compositions and two fine covers that provide the real reason for Towner's not-so-secret inspiration here: George Gershwin's "My Man's Gone Now," and Harold Arlen's "Come Rain or Come Shine." The muse, of course, is Bill Evans. Evans has been forever associated with the former tune since his 1961 trio performance of it at the Village Vanguard; the latter is a tune he played live fairly often in the '60s and even the '70s.

Although Eric Martin is best-known as the lead singer of rock quartet Mr. Big, he was a seasoned music veteran before that outfit in 1988. Born on October 10, 1960, in Long Island, NY, Martin moved often during his childhood due to his father's career as an Army officer…

Fausto Papetti was an Italian alto saxophone player. His recordings, sometimes under the pseudonym "Fausto Danieli", are also characterized by album art with sexy women posing half naked. His works have been widely well-known all over the world for the last six decades. He has played the majority of most famous world Hits and pop & jazz songs of 20th century, in 45 years of his career…

This highly anticipated 2009 release features all-new material by the highly regarded and 2-time Grammy Award winning cult heroine Rickie Lee Jones. Includes guest artists Allison Krauss, Ben Harper, Victoria Williams, Bill Frisell, Jon Brion and Vic Chestnut!

Naysayers listen up: Muse refuses to be the "next" Radiohead. Since forming in 1997, the alternative rock trio has continuously battled comparisons to the famed Oxford group while ambitiously creating a sound of its own, mixing elements of glam, pop, and symphonic music into a rock hybrid. British fans have praised the group for years, despite Americans taking until Absolution to discover Muse and give them their rightful props. Whether or not you championed the grand dramatics of Absolution, Muse is a solid, unique band and Black Holes and Revelations defines those strengths with a passion. Rich Costey joins Muse in the co-production of this 11-song set…

The Rosenberg trio consists of the three cousins Nonnie, Nous'che and Stochelo Rosenberg. All three have been playing music since their childhood days. As Children, they have learnt by listening and watching their family members at celebrations and gatherings. Following the great gipsy musical traditioon, they were tought to play by ear, and to practice restlessly, playing the classics over and over again. Neither of the three can actually read or write music, but they are nonetheless one of today's most impressive jazz bands, and certainly the best around when it comes to "Gipsy Jazz".

Time Out of Mind was a legitimate comeback, Bob Dylan's first collection of original songs in nearly ten years and a risky rumination on mortality, but its sequel, Love and Theft, is his true return to form, not just his best album since Blood on the Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes…

From the start of his intermittent side career as a jazz pianist, esteemed conductor and composer Andre Previn has shown more feeling for the form than most classical artists who cross over. Going beyond a recreational involvement in improvised music, he has deepened his playing since skimming stylistic surfaces on his bestselling My Fair Lady album of nearly 50 years ago. Now 78, he gives us what may be his most satisfying jazz recording in Alone: Ballads for Solo Piano. The solo format allows him to reflect his debt to piano masters including Art Tatum, Erroll Garner, and Bud Powell in ways his work with trios and combos hasn't, while showing off his super-refined lyrical touch with its sophisticated sense of color.

Abkco's 2005 compilation The Best of ? & the Mysterians: Cameo Parkway 1966-1967 is the first official CD release of the Michigan garage rocker's classic Cameo Parkway recordings, but for hardcore garage rock collectors, it might look a little bit similar to a 1995 unofficial release called Original Recordings. The discs not only share 25 tracks but they're presented in the same sequencing. Then again, that shouldn't be a surprise since both discs contain the entirety of the quintet's two full-length LPs – the 1966 96 Tears and its 1967 follow-up Action – plus the "Do Something to Me"/"Love Me Baby (Cherry July)" single. The '95 release contains five tracks that didn't make it to this release, but this has two previously unreleased versions of "Midnight Hour" and "96 Tears," neither of which were as a good as the released versions (the alternate "96 Tears" is surprisingly limp, actually).

Christian Lindberg, see, the best thing that's ever happened to the trombone. The man can actually fill concert halls for his solo recitals all over the world, and if you don't think that's astonishing, just ask yourself if any other trombonist alive could do it; in fact just ask yourself if you can think of the name of another solo trombonist. Yes, he's that good. And that means not only does Lindberg make marvellous sounds with his 'bone, but sometimes people write him marvellous music for it as well.

Between Daylight and Dark is Mary Gauthier's (pronounced Go-Shay) sixth full-length offering, and a compelling step forward from 2005's Mercy Now. Produced by Joe Henry with most of the musicians who played on his Civilians album and Loudon Wainwright III's Strange Weirdos – Patrick Warren, Jay Bellerose, Greg Leisz, and David Piltch, with Wainwright and Van Dyke Parks making guest appearances – it possesses a deeply centered, almost organic sound; one that reverberates the intentions of the songwriter without trying to meet the sound head on. Henry is able to present songwriters as strong presences, as the still centers of a chaotic, frenetic world that whirls all around them, leaving them unaware of the presence of his voice ordering it without being swallowed in the process.

A Woman a Man Walked By arrived just a year and a half after PJ Harvey's equally difficult and brilliant White Chalk. That alone makes it notable, since the last time she released albums in such quick succession was the early to mid-'90s, around the same time of her last songwriting collaboration with John Parish, Dance Hall at Louse Point. That album's unbridled experiments provided a sharp contrast to the subversive polish of its predecessor, To Bring You My Love; while A Woman a Man Walked By isn't quite as overt an about-face from White Chalk, the difference is still distinct. Here, Harvey and Parish (who played on and co-produced White Chalk) trade sublime, sustained eeriness for freewheeling vignettes that cover a wider range of sounds and moods than her music has in years.