Back from the Dead is the fifth album by American death metal band Obituary. It was released on April 22, 1997. This was the band's final album before their six-year breakup from 1997 to 2003. Back from the Dead was the first Obituary album not produced by longtime contributor Scott Burns.

Once Sent from the Golden Hall is the debut full-length studio album released by the melodic death metal band Amon Amarth On February 10 1998 via Metal Blade Records.

The Finnish Melodic Death Metal legends return with their highly anticipated seventh studio album full of heavy riffs, brutal vocals and hauntingly beautiful melodies! For Fans Of: Children Of Bodom, Ensiferum, Wintersun, In Flames, Soilwork, Wolfheart

"World Domination" is a gateway to old and new Demonical. The band's sixth album marks the debut for vocalist Christofer Sätderdal and the return for original drummer Ronnie Bergerstål (2006-2011, 2019-present). There are no major changes to the band's proven formula of brutal, melodic and insolently Swedish death metal. "World Domination" picks up where 2018's "Chaos Manifesto" left off, with a touch of extra dynamics and vibrancy that enrich the band's sound.

After more than 30 years in the business and 12 years after their last album "Killing Music", BENEDICTION are now back with one of their best releases and play once again in the Death Metal Champions League.The new album "Scriptures" sounds 100% like BENEDICTION: they blend death metal with a "fuck-off punk rock attitude", heavy metal riffing and a groove that hardly any other band can perform like this. Dave Ingram's "signature-growls" and powerful lyrics enhance the tonal framework so that you can hear after a few notes that you are listening to BENEDICTION. As usual the tracks vary from slow and heavy to fast and intense, from shorter "in your face" numbers to epic masterpieces.

With thirty years of active, nefarious service under their bulletbelts, NECROPHOBIC are undisputed legends of the death and black metal underground. “Dawn of the Damned” is undoubtedly the most imaginative and creative album of the band’s career to date. Once again recorded in collaboration with Fredrik Folkare of death metal icons UNLEASHED, it’s an album that proclaims its creators’ idiosyncratic approach to hammering their infernal point home.

Morta Skuld's 2020 studio release of brutal, hook-laden US Death Metal devastation that marks 30 years of the band's existence. Among the earlier breed of acts to arise from the iconic US Death Metal scene, Morta Skuld formed in Milwaukee in 1990 and released three albums on Peaceville in the early-mid 1990's, commencing with 1993’s now cult classic Dying Remains. In 2017, the band - led by founder and guitarist/vocalist David Gregor - returned to Peaceville for their first studio album in 20 years, the brutal opus Wounds Deeper Than Time, further cementing Morta Skuld’s legacy among the pantheon of American genre greats. Suffer For Nothing, the band’s sixth studio opus to date, twists the carnage up to whole new levels with a fresh serving of pulverising Death Metal excellence. With flawless execution and crushing production from Belle City Sound, the quartet brutalise the senses with razor-sharp riffing and insane solos.

Legendary death metal band Six Feet Under return with their explosive seventeenth full-length, Nightmares Of The Decomposed. Comprised of twelve tracks, it is a defining statement, making it very clear that more than twenty-five years into their career they remain at the forefront of the genre. Dynamic, heavy as hell, catchy, and uncompromising, it is everything that the band's longtime faithful have come to expect from the deadly unit, and is clearly the product of a lot of hard work. Nightmares Of The Decomposed was tracked at various studios including Criteria Studios in Miami, Florida, and produced, engineered and mixed by Chris Carroll. Mastering was handled by Chaz Najjar at Badlands Recording in Denver, Colorado. Cover artwork was created by Luke Hunter.

On October 2nd, ANAAL NATHRAKH will release their 11th full-length, Endarkenment, via Metal Blade Records.

On their authentic masterpiece Zeichen, the Wolves from VARG return to their roots and embark on a journey further down a new road. Forget anything you have seen or heard about them in the past few years and embrace the new album as a reboot of a band that never ceased to evolve and has gotten rid of everything superfluous. This seventh full length release marks a new era for the Wolves, haunted by wild battles, death and bloodlust - a resurrection from the fields of pagan metal, pairing razor-sharp melodic death riffs with Freki's furious vocals. Within the first seconds of the album opener breaking loose, VARG pulls the listener into the year “793” that heralded the ferocious era of the Vikings. In contrast, "Fara Til Ranar", including additional female vocals, is a melancholic, captivating saga about the Nordic sea goddess Rán, who pulls wandering sailors down into her wet grave. "Verräter", on the other hand, emphasizes the suffering and vengeance towards former allies with rapid guitar leads and ultimately the album culminates in the mighty title hymn “Zeichen”. In addition to the ten new tracks, the mediabook contains a bonus CD featuring alternative versions of each song the band recorded with renowned guest musicians from Eluveitie, Nachtblut and Equilibrium among others. Looking at the final opus, it's not surprising why VARG took four years after the publication of Das Ende Aller Lügen (which hit number 17 on the German charts) to regather their forces, and today, Zeichen shows that Freki, Fenrier, Morkai and Garm consciously took their time to realign their inner compass and are not afraid of musical and intellectual freedom.

Over the course of the 1990s, Sweden's Tiamat evolved from a typical death metal outfit into one of the leading lights in "symphonic" black metal. A variation that aimed to keep all of death metal's darkness intact, symphonic black metal portrayed that darkness it in a moodier, atmospheric manner, often making synthesizer arrangements just as important as guitar riffs and utilizing a deliberate, Gothic feel…

Thundering with newly fueled power from the shadows and dust of humanity's crumbling existence, KATAKLYSM return triumphant with their 14th full length studio album: UNCONQUERED. For almost 3 decades, the French-Canadian melodic death metal syndicate has delivered unapologetic waves of powerful sound across the entire globe. As of late, that globe has suffered tremendously, forcing the inspiration of many artists to extinguish, but for KATAKLYSM, the pressure caused a creative spring to burst forth with furious energy. “With everything that’s going on in the world, we couldn’t have chosen a better title,” explains vocalist Maurizio Iacono. “This album is a rebirth of aggression for KATAKLYSM. No one planned this to happen the way it did, but the name of this album makes total sense right now. It’s an aggressive album, yes, but a positive aggression.” Themes of fighting back and overcoming the insurmountable seethe through the lyrics and melodies of UNCONQUERED; consistent, sonic reminders of the battles that lead to triumph.