Italian orchestral-death metallers FLESHGOD APOCALYPSE release their fifth studio album, VELENO, on MAY 24TH via NUCLEAR BLAST RECORDS. The CD digipak edition includes the Blu-Ray "An Evening In Perugia" featuring a special performance filmed on September 22nd, 2018 at Afterlife Club in the band's hometown of Perugia, Italy with a classical string quintet.

Napalm Death are a British extreme metal band formed in Meriden, West Midlands, England, in 1981.[1] While none of its original members remain in the group since December 1986, the lineup of vocalist Mark "Barney" Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent of the band's career since 1992's Utopia Banished, although, from 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer; following Pintado's departure, the band reverted to a four-piece rather than replace him…

Nobody can cheat death. And nobody can cheat at death metal either. Flying the flag for balls-out and murderous death metal since 2014, Entombed A.D. are poised to return with one of 2019’s most devastating, deathly statements. This is death metal done right. Formed by former Entombed members LG Petrov (vocals), Victor Brandt (bass), Nico Elgstrand (guitar) and Olle Dahlstedt (drums), this marauding band of death metal warriors have steadily established their own identity over the last five years. Debut album Back To The Front was a raw and raucous revelation that delighted fans old and new. Two years later, the monstrous Dead Dawn emerged, building on the debut’s furious power and confirming Entombed A.D. as major players in today’s world of brutality. Fast forward to 2019 and the third chapter in the band’s savage saga is ready to be unleashed.

Progress without estrangement is a rare craft that very few bands truly master. All too often, a band ventures so far from its roots it that loses its trademark sound. And every so often, a band’s stagnation drains all of its charm. Finding that rare balance between the two is a huge task not easily accomplished. And yet there is a band that has been coming close to that perfect balance more and more over the course of the past few years. A band that, ironically, already bears that balance in its well-known name: EQUILIBRIUM. Embodying everything that Equilibrium has worked for over the past two decades, Renegades is an album that is destined to bring them greater exposure. Staying true to their roots, but changing the formula just enough to keep their music feeling fresh and innovative will definitely work in the band’s favor and should bring new fans along for the ride. With a renewed focus on their overall sound and armed with tracks that are sure to generate greater interest outside their native lands, Equilibrium certainly looks poised to elevate to new heights with this record. Disc 2 contains an 8 bit version of the album.

Swedish filth-practitioners BASTARD GRAVE returns after four years with an absolute headclobber “Diorama Of Human Suffering”. Stripping away the traditional Swedish chainsaw sound, BASTARD GRAVE has never sounded more disgusting, repulsive and yet an intriguing aural stormstrike resulting in a swampfuck of a bludgeoning Death Metal record. Recorded, mixed & mastered once again with Ulf Blomberg (Crawl, Age Of Woe, Inevitable End, etc) and the piercingly afflictive artwork by Stewart Cole (Contaminated, Noisem, Scorched, etc).

VORUM is dead! CONCRETE WINDS is deadly! After the outstanding Minialbum ‚Current Mouth‘, finnish VORUM ceased to exist. But the dead can not die for they are still hungry. Up from the ashes a new phoenix rose: CONCRETE WINDS is about to release one of the most bestial recordings ever erupting from the far north by the name ‚Primitive Force‘. 25 minutes of pure blasphemy, sadism & dystopia. In spite of the utmost shredding, thundering and screaming, this album still has musical ambitions. Where ‚Current Mouth‘ ended, ‚Primitive Force‘ starts and drives every audial aspect to the maximum. On the other hand this release keeps every layout aspect to a minimum. CONCRETE WINDS reduce verything to a lo fi, cut & paste undergroundish presentation. They set a statement and raise the middlefinger to a distraction shot from what is relevant. The pure magick of a Death Metal sound and gospel.

After 6 long-awaited years, DEVOURMENT return to form, embodying brutality with their ferocious new album, Obscene Majesty. Featuring drummer Brad Fincher and Ruben Rosas back on vocal duties - a lineup previously only heard on the band's 1999 landmark album Molesting the Decapitated, the pioneers of brutal death metal sharpen their blades once again, and unleash some of the most disgustingly heavy slam ever!

Lead guitarist Esa Holopainen and drummer Jan Rechberger formed the band Amorphis in Finland in 1990. To complete their lineup they recruited vocalist/guitarist Tomi Koivusaari and bassist Olli-Pekka Laine. They released a demo in 1991 called Disment of Soul. The demo was so successful in getting attention for the group that they acquired a record deal and released an EP the same year…

San Diego slamming brutal death metal band, Pathology, formed back in 2006 by Dave Astor (formerly of Cattle Decapitation and The Locust) have just dropped their latest track, Hieroglyphs On Cement Walls, taken from their up-and-coming album, Reborn to Kill. Produced and mastered by Zack Ohren at Sharkbite studios (All Shall Perish, Decrepit Birth), the artwork for Reborn to Kill has been once again created by the mighty Par Olofsson. The record also features guest vocals by Trevor Strnad of The Black Dahlia Murder. Astor comments: "This is by far the best Pathology to date. Everything came out very heavy. We added some new elements this time around and we are excited to see what everyone thinks. We also brought back the evil doctor from the dead so he can continue running his zombie army!"

San Diego, California-based metal outfit CARNIFEX will release its seventh studio album, "World War X", on August 2 via Nuclear Blast. World War X was produced by Carnifex and Jason Suecof. Recording and mixing was handled by Jason Suecof at Audiohammer Studio in Sanford, Florida. Vocals were tracked by Mick Kenney at The Barracks Studio in Huntington Beach, California. Arch Enemy frontwoman Alissa White-Gluz guested on the track ‘No Light Shall Save Us’, while New York-based guitarist Angel Vivaldi guested on the song ‘All Roads Lead To Hell’.