On his 35th album as a leader, pianist and composer David Benoit changed up his game. Remarkably, 2 in Love is the very first time in his long career that he's worked with a vocalist on an entire album. His chosen collaborator is Jane Monheit, one of the most celebrated mainstream jazz singers. All but one of these ten songs are originals co-written with three different lyricists: Lorraine Feather, Mark Winkler, and Spencer Day. Produced by the pianist, 2 in Love was cut live in the studio – a daunting prospect for most contemporary vocalists. But Monheit is no ordinary singer. Check her delivery on the knotty, Latin-tinged opener "Barcelona Nights." She glides through the changes and imbues her canny phrasing with just a hint of samba, with each articulated syllable entrenched in the song's groove. The sultry passion in her utterance is complemented beautifully by Pat Kelly's nylon-string guitar in the bridge. The title track is a swinging bossa with charging piano and hand percussion. Monheit has demonstrated throughout her career that her grasp on the form is both expert and soulful.

"Contaminations" is a musical journey that, starting from smooth jazz and fusion, crosses various musical genres such as blues, samba, bossa nova and funky, all characterized by classical and popular Neapolitan music. The band ZONA SUD has a very personal sound with marked sound influences typical of the Mediterranean. Among the eight tracks there is also a track dedicated to the "land of fires" entitled "Land of Fire", a song that perfectly summarizes the spirit of the group, deeply linked to the territory and sensitive to social problems.

It's time for your Coffee Break with finest Smooth Jazz and Chillout Music. Total Enjoyment and Relaxation with your favorite Cup of Coffee. Enjoy Your special moments!

Nova Records in the early '90s had the great distinction of having two of the world's most stunning young bass players on their roster: Byron Miller and Brian Bromberg. Bromberg, whose virtuosic mix of funk and mainstream influences have earned him comparisons to Stanley Clarke, has found a magical way to ease his brilliant chops on nine different basses into a very commercial setting. His latest, BASSically Speaking, shows him all aces not only as a consummate player, but as a producer, arranger, and composer as well. Mellow fare like "Take a Walk in the Park With Me" offsets the more up-tempo numbers, and you've never heard "My Funny Valentine" played with this much vigor. Complemented by the likes of Freddie Hubbard and the late flutist Joe Farrell, Bromberg has arrived as the first bassman of contemporary jazz's future.

Bestselling Smooth Jazz - Kool&Klean - Volume VIII is a venture to groovy, romantic, fresh and sexy world. Wherever you are and whatever you do, this music will always be a good companion. Prove it to yourself and become a part of Koolness. Volume VIII is a 8th installment from Contemporary Producer and Saxophonist Konstantin Klashtorni for bestselling Kool&Klean series. Only best, carefully selected tracks are on this CD.

Apophenia is the 2019 album by German artist Hannes Grossmann. This project is self-released.

Saxuality is the debut album by Candy Dulfer. Dulfer was no stranger to music since she is the daughter of Hans Dulfer, a famous Dutch saxophone player. Prior to her debut album, Candy Dulfer performed with Rosa King at the North Sea Jazz Festival, opened for Madonna during her 1987 concert in Rotterdam, collaborated with Prince on Graffiti Bridge, joined Prince on his 1988 tour and had a #11 hit with "Lily Was Here" together with David A. Stewart. The mainly instrumental album debuted on #4 in the Dutch album chart and was certified Gold. The album peaked at #22 in the Billboard Album Top 100, #27 in the UK Album chart and sold in excess of one million copies worldwide and was nominated for the Grammy Award for Best Contemporary Jazz Album. The album was promoted by a tour in Europe and the United States.

Bridges is the sublime collaboration of 2 of the most renowned instrumentalists in Jazz! Between them, saxophonist Eric Marienthal and guitarist Chuck Loeb have either written, produced, or performed on more than 50 Top 10 Smooth Jazz radio singles. Both have thrilled audiences around the world for more than 20 years as solo artists and featured artists in various groups: Marienthal with the likes of Chick Corea, The Rippingtons, Keiko Matsui, and Jeff Lorber and Loeb as co-leader of Fourplay and Jazz Funk Soul. Bridges represents these Smooth Jazz icons at their best, but it is more than just a Smooth Jazz album. As the title suggests, these Soundscapes bridge the gap between the commercial world of Smooth Jazz, the tranquility of New Age music, and the more artistic explorations that are at the heart of the true Jazz experience! Highlights of the 10 Marienthal/Loeb originals include "Crossings", the haunting ballad and first single, the soulful and bluesy "Duality", the romantic "Noir" and much more!

Trumpeter Chris Botti drops the synthesizers and drum loops of his previous effort, Thousand Kisses Deep, for a more elegant and traditional sound on When I Fall in Love. While Thousand Kisses Deep maximized Botti's penchant for mixing perfect pop songs with his Miles Davis-influenced jazz style, it nonetheless featured many of the electronic and processed sounds predictable on modern smooth jazz releases. By eschewing such "go to" pop-jazz production techniques as drum machines and synthesized strings in favor of the real instruments here, Botti ironically sounds utterly groundbreaking on what is ultimately a straight-ahead orchestral jazz album. While nowhere near as improvisationally adventurous as its predecessors, When I Fall in Love is still a revelation in the tradition of Sketches of Spain, Clifford Brown With Strings, and Wynton Marsalis' Hot House Flowers. Mixing standards and contemporary pop tunes all in a straight-ahead style, Botti gives his minimalist Miles-ian horn sound a chance to breath and be enjoyed on its own.

After 25 years of collaboration, Bob James and Nathan East are set to release their debut duo album The New Cool in September on Yamaha Entertainment Group. The New Cool marks new territory for legendary jazz pianist Bob James and bassist Nathan East, who’ve spent decades playing together in contemporary jazz quartet Fourplay but never before as an official duo. “The more I played with Nathan over the course of many live performances and spanning more than 20 years, the more in sync we were whether or not we had the anchor of the drums,” says James. “Something special happens when we only have each other’s notes to play off of, when the music is totally exposed.” Recorded entirely in Nashville, Tennessee, the album is a collection of original material contributed by both James and East, along with a small selection of standards. The duo’s musicianship is laid bare in a soulful reimagining of Irving Berlin’s “How Deep is the Ocean,” while the pair is joined by strings and woodwinds for a surprising take on Willie Nelson’s classic country hit 'Crazy'.

Richard’s new release “Tangos”! Richard’s well-known discs have garnished praise such as “Best Contemporary Jazz Guitar Album” (Tune Up Magazine), a nomination for “Record of the Year” (Ad Lib Magazine), and “Best New Artist” (Radio & Records Magazine). His album ‘SOuLIDIFIED’ spent 17 weeks in the top 10 for radio airplay of American contemporary jazz radio (Radio and Records Magazine), and three weeks at number 1 in the world for satellite and cable airplay (Music Choice). This has been an exciting time for Richard, a time of growth and change. In 2012 and 2013 Smith traveled to 11 countries around the globe performing music from his 13 releases and collaborating with a group of international all-stars on “Tangos” – the deepest and most engaging release of his career.

Smoking cigars is sometimes isolating people. On the other hand Jens Haack's music is so irresistible that I couldn't withstand to review this fashionable album. Jens is from Denmark, that Scandinavian region, where musicians like Soren Reiff, Jakob Elvstrom, Chris Minh Doky and Bobby Rickets are coming from. So trust me, when I recommend you this fine album.

Sentimental Midnight Jazz: Music that not only wants to be a background, but always juggles between claim and "pampering aroma". Artists such as Dexter Gordon, Ella Fitzgerald, Julie London represent a relaxed Sound for enjoyable chilling.

Second album Moving in the Right Direction Count Basic made an international name for itself in the sector of sophisticated pop music with a jazzy touch and has been compared to bands like the “Brand New Heavies“, “Jamiroquai“ or “Incognito“. In this field, almost no compilations exist that didn't include one of Peter Legat’s melodious songs. The album included a cover version of Maze's "Joy and Pain" that topped the NAC radio charts within just five weeks, hit #23 of the Austrian album sales charts, and several airplay charts all over the world.

Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.