Robot Zombie Army is the personal and perpetual music project of semi-noted internet weirdo Ben Robson. The project rides the line between death metal, progressive metal, thrash metal, and big catchy arena jams. Something for every fan of heavy music!

This very well-recorded album features Ralph Towner playing 12-string and classical guitar on "Nardis," two pieces by John Abercrombie, and four of his own originals. The interpretations are typically sensitive, thoughtful, and often introspective, but also show off Towner's impressive technique.

]Now and Then is the finest collection of de Burgh's greatest hits and also features a brand new track "Live For the Day" featuring Tina Yamout, a young Lebanese singer. Chris met Tina in Beirut last year when he performed on Star Academy, the most popular pan-Arab talent show, on which Tina was a finalist. Now and Then - features classic tracks from his entire career. They include: the hit song "Don't Pay The Ferryman", his number one single "The Lady in Red", which has sold more than 8 million copies worldwide; "Missing You", "High On Emotion", "When I Think Of You", "The Words "I Love You"", "A Spaceman Came Travelling" and many more of his best-known songs.

A banda gaúcha Rebel Machine acaba de disponibilizar o novo single, chamado Square One. A faixa é o primeiro lançamento do quarteto pelo selo sueco Big Balls Productions. Square One integra o novo álbum da banda, Whatever It Takes, com lançamento previsto ainda para o primeiro semestre – e é o primeiro de três singles que serão divulgados antes do dia 21 de maio, quando o Rebel Machine abre o show do guitarrista Slash, no Pepsi On Stage.

Miriodor have dropped from a four piece to a trio on this album. The violinist is gone yet this is still in a similar style to their previous self titled record. It's maybe not quite as samey as that one and thankfully it's about 30 minutes shorter too. So we get drums, sax and piano while each member doubles up on synths. If you like the instrumental complexity and power of Univers Zero, coupled with that band’s lack of any mainstream influence, chances are you’ll find 3rd Warning to your taste. And even if you’re a novice to the RIO sound and are looking for a place to start, Miriodor is probably the best place. They combine musical prowess and creativity with a certain amount of accessibility. The result is a tightly composed 45 minutes of excellent progressive music.

A great album and the release that made Roberta Flack a major soul and R&B artist in the early '70s. She had a soft, compelling, alluring voice, and was able to convincingly switch gears and also convey anger, regret, hurt, or despair. Those who thought Flack was a one-hit wonder, or didn't think she could make the transition from doing mostly jazz to other styles, were convinced otherwise.

In some ways UK represented both the last hurrah of progressive music's golden age, and the standard by which all other supergroups that followed would be judged. The impeccable technical precision, complex yet modern arrangements, and dynamic live performances made them an overnight legend whose reputation has far outlasted their brief existence. No other supergroup, progressive or otherwise, has had such an immediate and lasting impact. Recorded live September 11, 1978 at Paradise Theatre in Boston, this recording is finally available after long been only found as a bootleg. Two tracks with the original UK line-up, rather than the more familiar 2nd (Danger Money and later) UK line-up.

With over 30 genre-bending years of experience, creator and mentor Michael Wadada expertly carves a new path in the evolution of Dub, drawing for the melodies of classical Indian Raga and countless other ethnic influences and draping them over bass-heavy rhythms and euphoric soundscapes. In an age of incoherent albums designed to be 'cherry picked', this is an engulfing musical journey, rewarding the listener with almost seamless transitions between rich atmospherics and driven, uplifting beats.

Sometime assassin, sometime saint, Lincoln MacKinnon mixes uplifting choruses, searing emotional power and a barely contained menace to produce music that is as powerful as it is memorable. Hailing from Melbourne Australia, where Lincoln previously fronted The Legs and Dead River Deeps, Lincoln now lives in the port town of Fremantle Western Australia. Rich in stories of love, loss and chaos, this seaside town has inspired a spree of prolific songwriting and has forged a new era for Lincoln's music. While this new incarnation carries the same unruly swagger, The Wrecking Train has breathed new life into his music and energetic stage performance. After releasing his debut album 'Little By Little a Little Later', Lincoln is set to release his 2nd studio album 'Sparks Will Fly' in 2019.

It's hard to believe that it's been more than five years since Ralph Towner issued his last solo guitar album, or any album under his own name, for that matter. Anthem was issued in 2000. Time Line is a return to the stark, spacious and lyrical explorations of that set. That's not to say this is any kind of direct replica. Towner's a restless artist, he pushes his boundaries on the classical and 12-string guitars. The set contains 14 new compositions and two fine covers that provide the real reason for Towner's not-so-secret inspiration here: George Gershwin's "My Man's Gone Now," and Harold Arlen's "Come Rain or Come Shine." The muse, of course, is Bill Evans. Evans has been forever associated with the former tune since his 1961 trio performance of it at the Village Vanguard; the latter is a tune he played live fairly often in the '60s and even the '70s.

Nicholas Isherwood made his début as Lucifer in Stockhausen’s Donnerstag aus Licht at Covent Garden, at the age of 25, and has since collaborated closely with composers such as George Crumb, Hans Werner Henze, György Kurtág and Iannis Xenakis. His relationship with John Cage soon developed into what he in his liner notes to the disc calls ‘a love affair’. The composer Sylvano Bussotti has remarked that ‘since the passing of Cathy Berberian, Nicholas Isherwood is the singer who best understands the spirit of the music of John Cage’. On ARIA, Isherwood presents most of Cage’s music for solo voice that is not included in the composer’s Song Books, and most pieces are here recorded for the first time by a male singer. The programme covers 43 years, from A Chant with Claps from the early 1940s to Ryoanji and Sonnekus2 of the 1980s, and includes the celebrated Aria, here performed with a new multi-channel tape realization of Cage’s Fontana Mix, by the Italian composer Gianluca Verlingieri.

On the Night is the second live album by the British rock band Dire Straits, released on 10 May 1993 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The album features many of the band's later hits, including the singles "Walk of Life" and "Money for Nothing". On the Night was recorded in May 1992 at Les Arenes in Nîmes, France, and at Feijenoord Stadion in Rotterdam, The Netherlands—concerts that were part of the On Every Street Tour, which included 216 shows in Europe, North America, and Australia, and sold 7.1 million tickets.

Ton Koopman is not only one of the great fathers of the Baroque-Renaissance revival in the 1970’s, but a true pioneer of our time. After completing the Bach Cantatas survey, was he awarded the Bach Prize 2014 by the Royal Academy of Music. The prize is awarded to outstanding individuals in the performance and scholarship of Bach’s music and none could be more worthy than Koopman, who has been noted as doing ”remarkable work promoting Bach’s music in the last thirty or so years.”

Farewell Tour is the first live album by American rock band The Doobie Brothers, released in 1983. It documents the group's 1982 Farewell Tour and is a double album set. By the early 1980s, the Doobie Brothers had evolved from the guitar-boogie sound under original band frontman Tom Johnston to a soulful keyboard-driven AOR sound under Michael McDonald. Despite the many personnel changes in the group, Patrick Simmons remained from the original incarnation of the group. In 1982, Simmons decided to retire from the group after years of constant touring and recording. When the band decided to break up in light of his impending departure, Simmons encouraged the group to make one last tour during the summer of 1982 as a way of thanking the group's loyal fanbase.

An international summit meeting, Travel Guide features US guitarist Ralph Towner, Austrian guitarist Wolfgang Muthspiel, and Kazakhstan-born and Australia-raised guitarist Slava Grigoryan. The three musicians first came together in 2005, initially for concerts in Australia, and have since toured widely. A 2009 recording on Muthspiel’s Material Records label documented the group’s early progress. Ralph Towner subsequently brought the project to ECM and the trio recorded this album in Lugano in August 2012, with Manfred Eicher as producer. Towner has been a key ECM recording artist for more than 40 years, while Muthspiel and Grigoryan make label debuts here. Grigoryan is well known as the preeminent Australian classical guitarist of his generation, and Muthspiel’s been an important figure on the transatlantic jazz scene for two decades.