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Paul Agnew, Les Arts Florissants - Monteverdi: L'Orfeo (2017) [BDRip]

Posted By: Vilboa
Paul Agnew, Les Arts Florissants - Monteverdi: L'Orfeo (2017) [BDRip]

Paul Agnew, Les Arts Florissants - Monteverdi: L'Orfeo (2017) [BDRip]
BluRay-rip | AVC | MKV 1920x1080 / 4972 kbps / 23.976 fps | 104 min | 4,11 Gb
Audio: Italiano / AC3 / 6ch / 48.0 KHz / 640 Kbps
Classical | Harmonia Mundi | Sub: Italian, French, English, German

Following on logically from his complete cycle of Monteverdi madrigals, Paul Agnew – here both conductor and stage director – presents his intimate and ‘sacred’ version of the composer’s first opera (and the first great opera in musical history). In a fine collective spirit, the singers and instrumentalists of Les Arts Florissants participate in the drama on equal terms, mingling in a single set that gives increased prominence to the (masterly) lighting and to the protagonists (overwhelmingly moving in their restrained movements and expressions): we are transported to the very heart of Monteverdi’s masterpiece, as if we had fallen into a painting by Nicolas Poussin, caught up in the mystical adventure of two lovers more mythical than ever.

Emmanuelle Haim, Le Concert d'Astree - Handel: Arcadian Duets (2002)

Posted By: ArlegZ
Emmanuelle Haim, Le Concert d'Astree - Handel: Arcadian Duets (2002)

Emmanuelle Haïm, Le Concert d'Astrée - Handel: Arcadian Duets (2002)
EAC | FLAC | Image (Cue & Log) ~ 259 Mb | Total time: 62:18 | Scans included
Classical | Label: Virgin | # 5 45524 2 | Recorded: 2001-2002

It's tempting to think these duets, which Handel composed at various points in his career, are just chips from the master's block. But they constitute a delightful hour's worth of music, and when sung with the vocal brilliance and stylishness displayed here by ten top singers in various pairings, they add up to one of those rare discs it's hard to stop returning to. Handel must have thought a lot of them too–since he reused some of this music for oratorios like Messiah–and turned to the chamber duet form in his last years as well. There isn't a weak link among the soloists, though the contributions of Natalie Dessay, Veronique Gens, and Sara Mingardo are especially noteworthy. Whether asked to sing plaintive laments or flashy coloratura displays, these well-matched voices thrill. The accompaniments (harpsichord or organ, lute and cello) are faultless. The appeal of this disc extends far beyond Baroque specialists to anyone who enjoys outstanding singing.
–Dan Davis