regon, formed in 1970, comprised Ralph Towner (classical and 12-string guitars), Paul McCandless (oboe and English horn), Glen Moore (double bass) and Collin Walcott (sitar and tabla).

Prepared for the 2021 Music is our Friend USA 2021 tour. 2CD history of King Crimson featuring many extracts & tracks (22 of 29) appearing on CD for the first time, including live material by the current line-up. Packaged in DVD sized fold out digi-pack style book case with 28 page booklet. Eighth release in the Tour Box series. Introductory notes by Robert Fripp. Sleeve-notes by Sid Smith. Last year’s Tour-box 2020 wound up charting a postponed tour. But fans still wanted it and now that it looks like a 2021 tour (at least in the USA) is happening, here we are with what has, in recent years, become something of an annual tradition for King Crimson fans since the 2014 (present) line-up(s) commenced touring again.

Focus 50 is a collection to launch the commemoration of Focus celebrating half a century of ground-breaking contributions to the Prog Rock genre. It features 3 CDs and a Blu-Ray of the Live in Rio show recorded at Nitteroi in 2017.

Madonna is celebrating 35 years of her classic album ‘True Blue’ with a new digital reissue.

Housed in suitably evocative artwork and a stylish clamshell box design, Separate Paths Together provides a wide-ranging, four-hour overview of the pop stars, the club folkies, the rock band refugees, the stoned poets, the political agitators, the wry humorists and the bedsit bards that came together to make up a vibrant, multifaceted scene.

Présenté le 17 juillet en clôture de la 74ème édition du Festival de Cannes, le 3ème volet des aventures d’OSS 117, le plus français des agents secrets, arrive en salles le 4 aout ! Toujours interprété par Jean Dujardin mais réalisé par Nicolas Bedos, Alerte rouge en Afrique noire s’annonce comme l’épisode le moins politiquement correct de la série. Comme pour ses précédents films, Nicolas Bedos est accompagné d’Anne-Sophie Versaneyen pour nous proposer une bande originale digne des meilleurs films d’espionnage ! Aux thèmes orchestraux rythmés qui accompagnent les tribulations de notre héros, le duo nous dévoile une chanson originale interprétée par Indy EKA. La chanteuse franco-camerounaise nous propose un hit soul dans la lignée des plus grands thèmes des James Bond. A noter qu’une reprise du mythique Le Freak du groupe Chic par Tessa B ou encore le célèbre Superman des Commodores complètent cette bande originale détonante.

Minamata features music by internationally renowned composer, musician and environmental activist Ryuichi Sakamoto composed for the 2021 film directed by Andrew Levitas.

Among the collection's 81 remastered tracks, 19 are making their CD and digital debuts, including alternate versions of classic hits, demos, rarities, and live tracks, like her stunning performance of '(You Make Me Feel) Like A Natural Woman' at The 38th Annual Kennedy Center Honors in 2015. To put Franklin's life and career into perspective, the collection is accompanied by liner notes written by Rochelle Riley, author and director of arts and culture for the City of Detroit, and David Nathan, a music journalist and soul historian who interviewed Franklin more times than any other living writer.

Championne des premiers prix de piano, Alice Sara Ott (né à Munich le 1er août 1988) fait ses classes au Mozarteum de Salzbourg, en Autriche, avant de se lancer dans les plus grands festivals européens. Signée en exclusivité par Deutsche Grammophon, elle enregistre les 12 Études d'exécution transcendante de Franz Liszt (parues en 2009) et se produit au Japon à guichets fermés.

Either you love or you hate it. Live Album by Grand Funk Railroad was a smash when released and those who loved it played it to death. A hard rock phenomenon of the waning days of the Sixties, Grand Funk proved over and over that they were the live performing act of the time, and this album is a testament to their in-concert power.

What more can you ask for? Asleep at the Wheel playing on Austin City Limits running through a smoking program of rocking, strolling Western swing tunes – with special guests like Eldon Shamblin, Johnny Gimble, Leon Rausch, and Herb Remington no less. Asleep at the Wheel have performed on Austin City Limits numerous times – including the very first broadcast program back in 1976 – but this show, recorded gorgeously from 1992, is special. The bandmembers are so relaxed, open, and in the groove here that this stands out among their live recordings. It's true that the program is familiar, full of favorites and legendary swing tunes, though "Boot Scoot Boogie" by Brooks & Dunn's Ronnie Dunn is also here. Some of the standouts include "Roly Poly," "Corrine, Corrina," "Blues for Dixie," and the closing read of the Cindy Walker/Bob Wills tune "Sugar Moon."

This 2001 DMB performance from Toronto is the band’s first Live Trax release out of Canada. From the very first pulse of the heartbeat intro to Pantala Naga Pampa and Rapunzel and all the way to the last beats of Two Step, this show offers solid renditions of songs off the new album, Everyday, as well as road tested gems like JTR and Say Goodbye. The Lovely Ladies' extra vocal power elevates the performances throughout and specifically on Don't Drink The Water and Stay (Wasting Time).

Kurt Cobain made plenty of mistakes in his life, but loving the Vaselines was not among them. Nirvana covered three of their songs, and as Kurt might tell you if he were alive today, from 1986 to 1989 the Vaselines were the best pop band around…

Aside from Roger Dean's iconic cover illustrations, Greenslade weren't like most prog brands of the 1970s. Keyboardist Dave Greenslade and bassist Tony Reeves formed the quartet in 1972 after leaving jazz-rock outfit Colosseum. Eschewing guitars, they hired Samurai's Dave Lawson as a second keyboardist, and former Manfred Mann drummer Andrew McCulloch (he also played on King Crimson's Lizard) . The band's approach utilized typical knotty, stop-and-start cadences, and key and tempo changes, but those are only a few elements in their complex soundscape. The rest of Greenslade's sound reflected a penchant for catchy melodies derived from pop, jazz, classical, and folk. Keyboardist Lawson spent years backing singers including Bing Crosby and Peggy Lee. Greenslade, Reeves, and McCulloch came up in the British blues and jump R&B bands of the early 1960s. The remastered albums in this box mark their four studio outings: 1973's Greenslade and Bedside Manners Are Extra, 1974's Spyglass Guest, and 1975's Time & Tide.

United by dalliances with purism as young men and an abiding love of classic blues and jazz, Eric Clapton and Wynton Marsalis are a more comfortable fit than it may initially seem. Both musicians are synthesists, not innovators, stitching together elements from their idols in an attempt to preserve the past while bringing it into the present, so their sensibilities are aligned and, in 2011, they’re amenable to a partnership that explores their common ground…