Above the album worked the 'Cafe Del Mar Ibiza - Made Of Sunsets ', and his release took place on 2021. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.

In the six years since the release of their merely good effort Barking, electronica veterans Underworld were tied up with big things, like solo projects, Eno collaborations, film scores, and the 2012 Summer Olympics in London, where they were musical directors for the opening ceremony. Take all that into consideration, and this excellent 2016 LP seems more closely linked to its predecessor, and acts like a natural swing-back-into-action after getting the too-busy-/tries-too-hard/return-to-form album out of the way. Barbara Barbara, We Face a Shining Future is also an album longtime fans will instantly embrace, but it's an evolution as well. Bookended with excellent surprises, it opens with a dark, half-tempo track that's got Gary Numan in its veins ("I Exhale") and closes with a masterful work that mashes Kraftwerk, classical music, and the blissful Underworld found on their 1999 album Beaucoup Fish ("Nylon Strung")…

The Sessions VI EP contains a long instant live composition from the current Tangerine Dream line-up Thorsten Quaeschning, Ulrich Schnauss, Hoshiko Yamane and new TD member Paul Frick. This live session was recorded at the RBB Sendesaal in Berlin (November 3, 2018) during the Elektro Beats Festival organized by Radio Eins. Tangerine Dream are very much enjoying their new respectively revived concept of performing a so-called real time composition session at the end of their concerts. We hope that you will enjoy this spontaneous and exceptional live track - inspired by the location and a great festival audience as well.

Songs of Faith and Devotion is the eighth album by Depeche Mode, released in 1993. The album incorporated more guitar textures than previous releases. Upon its release, Songs of Faith and Devotion reached number one on both the UK and US album charts. To support the album, Depeche Mode embarked on the fourteen-month Devotional Tour.

2014 mix. A heaven for Lounge/Electronic music fans, the BUDDHA BAR compilations take a turning point and sign a new project made of 100% electronic music: BUDDHA BAR BEACH. Featuring a selection up to their reputation, BUDDHAR BAR and Antoine Baduel (CEO/ Founder of Radio FG) have uncovered tracks feeling like Summer and warm sand. Hypnotic compositions, aesthetic arrangements, addictive and silky sounds follow a thrilling evolution promising a limitless Summer. The first part has been designed to end up a hard day at the beach… Call a few friends, select the best Beach Club, order a cocktail with an unpronounceable name and enjoy languorous and laidback melodies. After dinner, the second sunrise will make you continue your evening clubbing and eventually partying at a Beach party at dusk…

Personally curated by Paul, McCartney III Imagined features an A-List assortment of friends, fans and brand new acquaintances, each covering and / or reimagining their favorite McCartney III moments in their own signature styles. The result is a kaleidoscopic reinterpretation of an album Rolling Stone accurately tagged “an inspiration to us all”—one that serves as an extension of the instantly beloved McCartney III while standing on its own as brilliant and adventurous milestone in the McCartney discography. The all-star lineup Includes Anderson .paak, Beck, Blood Orange, Damon Albarn, Eob, Josh Homme, Khruangbin, 3d Rdn From Massive Attack, Phoebe Bridgers, St. Vincent and more.

Along with The Definitive Collection, The Essential Alan Parsons Project gives the casual fan the proper mixture and proportion of radio hits, Alan Parsons' signature instrumentals, and Eric Woolfsons' thought-provoking ballads. Best of all, SONY/BMG has included the once lost gemstone No Answers Only Questions (Final Version) that Eric Woolfson composed and guitarist Ian Bairnson arranged. Everything has been digitally remastered from the best available source tapes…

Fifty years, 11 CDs, 11 Doctors and 389 tracks. This is the release that Doctor Who fans worldwide have been waiting for, assembled after years of research and trawls through dusty archives and libraries. It's a comprehensive overview of the very special music that has accompanied the Doctor over his travels through time and space from William Hartnell in 1963 to present day Matt Smith. From Ron Grainer's iconic theme realised by the BBC Radiophonic Workshop's Delia Derbyshire to Murray Gold's orchestral tapestries, this is a musical saga of monumental proportions. The esteemed collection of composers featured include Tristram Cary, Brian Hodgson, Wilfred Josephs, Dudley Simpson, Geoffrey Burgon, Paddy Kingsland, Roger Limb, Malcolm Clarke, Keff McCulloch, Dominic Glynn, John Debney and many more. The lavish 32 page booklet with the set includes liner notes from Doctor Who composer Mark Ayres on the history of music in the series and details of the episodes.

Following a notorious flirtation with alternative rock, Moby returned to the electronic dance mainstream on the 1997 album I Like to Score. With 1999's Play, he made yet another leap back toward the electronica base that had passed him by during the mid-'90s. The first two tracks, "Honey" and "Find My Baby," weave short blues or gospel vocal samples around rather disinterested breakbeat techno. This version of blues-meets-electronica is undoubtedly intriguing to the all-important NPR crowd, but it is more than just a bit gimmicky to any techno fans who know their Carl Craig from Carl Cox. Fortunately, Moby redeems himself in a big way over the rest of the album with a spate of tracks that return him to the evocative, melancholy techno that's been a specialty since his early days…

Underwater Sunlight was the first album Paul Haslinger recorded with Tangerine Dream and his presence is immediately felt. With Haslinger, the group relied more heavily on strict structures and jarring compositional flourishes, which is only appropriate, since he came directly from a classical background. The group hadn't quite figured out how to fully incorporate these techniques into their music, but the results on Underwater are nevertheless fascinating.

More pervasive than a virus, anxiety and urgency has spread across our physical and virtual landscapes. The air of the present moment find parallels on the newest body of work by Son Lux: Tomorrows, a long-format album to be released in three volumes over the course of a year. On Tomorrows, Ryan Lott, Rafiq Bhatia, and Ian Chang train their sights on volatile principles: imbalance, disruption, collision, redefinition. But for all of its instability, Tomorrows’ exploration of breaking points and sustained frictional places is ultimately in service of something rewarding and necessary: the act of questioning, challenging, tearing down and actively rebuilding one’s own identity.

To celebrate two decades of creating ambient and downtempo electronica under the name Banco de Gaia, Toby Marks put together this enjoyable if slightly uneven two-disc set, a retrospective of sorts that takes a fresh look at his past rather than simply gathering and recapitulating it. On the first disc, he reinterprets both his own work (longtime fans will get a particular kick out of his Euro-trance reconstruction of "Soufie") and that of others - Hawkwind's "Spirit of the Age" is given a long, luxurious interpretation that incorporates elements of house, funk, and ska, while King Crimson's "Starless" gets an even longer - and frankly rather plodding - arrangement of its own. His most ambitious experiment on the first disc is a rendition of Pink Floyd's "Echoes" that lasts fully 22 minutes - an impressive feat, and one that does a fine job of blending Marks's own personal electronic vision seamlessly with Floyd's unique sound…

After Labelle's breakup in early 1977, Patti LaBelle, Nona Hendryx, and Sarah Dash took very different paths as solo artists. LaBelle became a middle of the road urban/adult contemporary superstar, Dash recorded the occasional R&B album with little commercial success, and Hendryx favored rock-minded albums that came the closest to Labelle's free-spirited wildness. Hendryx's solo career started out on a hard rock note with her self-titled debut album of 1977, but she took a more new wave-influenced turn in the '80s, and 1985's The Heat brings together rock and synth funk with memorable results.

It's fair to say that the Orb never would have reached the British pop Top 40 without the influence and promotion of John Peel, who sponsored three sessions between 1989 and 1995. (There have also been two additional dates for other presenters.) Peel, a veteran of the late-'60s British music scene, appreciated the Orb's blend of futurism and folky traditionalism, seeing them not just as dance saviors but another dot in the line that connected pixilated popsters like T. Rex and the Incredible String Band (both of which Peel had been closely associated with). The Orb's first session was recorded in 1989, well before they had released an album, and it boosted the popularity of both the group and the ambient house phenomenon immeasurably…

"Xanadu" is the soundtrack of the 1980 musical film of the same name, featuring the Australian singer Olivia Newton-John and the British group Electric Light Orchestra (ELO). It was released in June 1980 on MCA Records in the United States and July 1980 by Jet Records in the United Kingdom. The original LP release featured on side one the songs of Newton-John, and on side two the songs of ELO. The Newton-John side also featured Cliff Richard, the Tubes and Gene Kelly. Although the film was a critical and commercial disappointment, the soundtrack was a worldwide success and received positive reviews from music critics going double Platinum in the US and Canada. The hit singles "Magic" and "Xanadu", peaked at #1 in the United States and United Kingdom, respectively. Both singles also went to #1 in the Netherlands and Italy, respectively. It was the 5th most popular US soundtrack in 1981.