"Weight of the World" is a song performed by Ringo Starr, released on his 1992 album, Time Takes Time. Written by Brian O'Doherty and Fred Velez, the song was released as a lead single backed with "After All These Years", and "Don't Be Cruel" (the latter was only on the CD single)…

20 Greatest Hits is a compilation album featuring a selection of songs by The Beatles that were number one singles in the UK and US. It was released on 11 October 1982 in the United States and 18 October in the United Kingdom and marked the 20th anniversary of The Beatles' first record release, "Love Me Do," in the UK in October 1962…

Lindsey Buckingham hadn't recorded a studio album with Fleetwood Mac in 16 years when Say You Will was released in April 2003. His partner, Stevie Nicks, had been missing in action from the group since 1990, and while both joined the reunited group in 1997 for a tour and live album (The Dance), not to mention Bill Clinton's 1993 inauguration, it had been a long, long time since the two made new music for the Mac…

Arguably the first consistently strong album Fleetwood Mac ever recorded – all the way back into the Peter Green/Jeremy Spencer era, the Mac's albums had previously consisted of individual moments of brilliance in a sea of uninspired filler – 1972's Bare Trees is also the album where the band finally defines its post-blues musical personality…

Give My Regards to Broad Street is the fifth studio album by Paul McCartney, as well as the soundtrack album to his 1984 film of the same name. The album reached number 1 on the UK chart. The lead single, "No More Lonely Nights", was BAFTA and Golden Globe Award nominated…

Delaney and Bonnie Bramlett assembled an all-star group of "friends" in 1969 for a weeklong tour of England, a legendary excursion that would produce On Tour With Eric Clapton, one of rock's most powerful and enduring live albums. Clocking in at a mere 40 minutes, the original left fans wanting more for decades. THE WAIT IS OVER - Rhino Handmade delivers with a four-disc deluxe reissue expanded with more than three hours of unreleased roof-raising, hickory-smoked rock 'n' soul. The set, which comes packaged in a mock road case, contains Delaney & Bonnie & Friends' complete performance at London's Royal Albert Hall, plus a composite of the next night's performances at Colston Hall in Bristol, and both the early and late shows from the tour's final stop at Fairfield Halls in Croydon. Along with the Bramletts, the touring band showcased on these discs includes guitarists Eric Clapton and Dave Mason, bassist Carl Radle, drummer Jim Gordon, organist Bobby Whitlock, Jim Price and Bobby Keys on horns, percussionist Tex Johnson, and singer Rita Coolidge.

By the time the Rolling Stones got around to issuing the third live album of their career, 1977's LOVE YOU LIVE, the legendary band had reinvented itself from a dangerous and sleazy rock & roll group to a more polished arena rock outfit. That said, the group was going through one of the rockiest and most uncertain periods of its lengthy career; Keith Richards had just been busted for heroin possession in Canada with the threat of a long prison sentence hanging over his head, new member Ron Wood was still finding his niche in the band, and Mick Jagger appeared more concerned with jet-setting…

Collectables' Michael Bolotin / Every Day of My Life contains Michael Bolton's first two albums on one CD. During this time, Bolton was going by his given name, Bolotin, and was trying to be a hard-rocker. He may have had the voice for it - his raspy wail does sound better with louder guitars than with soft-rock synthesizers - but these records don't really work, since the material is very, very uneven (the originals are weak; the covers are good, but ill-suited for this hard rock) and the arena-rock wannabe production dates both albums badly, making them only of interest for completists. Those completists, however, should be happy with Collectables' release, even if it does omit "If I Had Your Love" from Every Day of My Life, since the disc has good sound and decent packaging.

Styled as a conspicuous companion piece to Tug of War, Pipes of Peace mirrors its 1982 cousin in many ways: its title track holds up a mirror to its forefather – and, if that weren't enough, Paul McCartney serves up the knowing "Tug of Peace," an almost-electro collage that twists the songs into McCartney II territory – it serves up two showcases for duets with a former Motown star along with a cameo from fusion superstar Stanley Clarke and, most importantly, it is also produced by former Fab Four ringleader George Martin…

"(I Can't Get No) Satisfaction" is a song by the English rock band The Rolling Stones, released in 1965. It was written by Mick Jagger and Keith Richards and produced by Andrew Loog Oldham. Richards' three-note guitar riff – intended to be replaced by horns – opens and drives the song. The lyrics refer to sexual frustration and commercialism…

Within the span of five years, Ringo Starr was able to muster up seven Top Ten singles, with three of them coming from the self-titled Ringo album. Taking all of these tracks and adding three more, Blast From Your Past ends up being a worthy ten-song collection of Starr's best solo tunes…

Entitled McCartney II because its one-man band approach mirrors that of his first solo album, Paul McCartney's first record since the breakup of Wings was greeted upon its release as a return to form, especially since its synth-heavy arrangements seemed to represent his acceptance of new wave…

The mighty Keith Richards - virtuoso guitarist, Blues explorer, Rolling Stone, and all-around Rock 'n' Roll survivor, in a hard-driving concert deftly shot in Germany in 1992. As a solo star, Keith displays sheer Rock power in this extended show - packed with Stones favorites and compelling Richards originals. Keith's guitar solos and surging chords remind us of the sparse, tasteful, yet always intense approach he has taken to the development of Rock guitar…

Child Is Father to the Man is keyboard player/singer/arranger Al Kooper's finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures, taking in classical and jazz elements (including strings and horns), all without losing the pop essence that makes the hybrid work. This is one of the great albums of the eclectic post-Sgt. Pepper era of the late '60s, a time when you could borrow styles from Greenwich Village contemporary folk to San Francisco acid rock and mix them into what seemed to have the potential to become a new American musical form. It's Kooper's bluesy songs, such as "I Love You More Than You'll Ever Know" and "I Can't Quit Her," and his singing that are the primary focus, but the album is an aural delight; listen to the way the bass guitar interacts with the horns on "My Days Are Numbered" or the charming arrangement and Steve Katz's vocal on Tim Buckley's "Morning Glory." Then Kooper sings Harry Nilsson's "Without Her" over a delicate, jazzy backing with flügelhorn/alto saxophone interplay by Randy Brecker and Fred Lipsius.