Silent Season is proud to present Segue's third full-length LP with the label. On his new album, Jordan Sauer explores a new facet of West Canadian natural history. Four thousand years ago, Western Canada's First Nations people migrated into the fjords and rainforests carved out by the retreating glaciation of the last Ice Age. The Island is a tribute to Canada's prehistory and the spiritual journey of a people entering a forever-altered landscape to call their home.

Celtic Trance presents a warm, fuzzy mixture of Celtic musical streams with trance and ambient, meaning a lot of swirling synth pads, soft drums, Irish whistles, and sampled instruments with some vocals thrown in for good measure. This particular production is likely to remind some listeners of Enigma, while others may think of Jean-Michel Jarre, though it does carve out its own identity along the way, heavy breathing effects and all. It's also highly functional as a tool for relaxation – not an album recommended for playing on long road journeys, certainly.

Defected assemble the biggest house records making an impact on the island this season with the 2019 instalment of the annual Most Rated Ibiza compilation. Featuring 30 tracks and two expertly crafted mixes covering house musics finest upfront selections, the compilation kicks off with one of the biggest tracks on the White Isle this summer. Further highlights from the Defected stable include David Penns remix of Pete Hellers Big Love, a record that was made a Balearic classic twenty years previously, now given new life for 2019 dancefloors.

Collection includes: Pump Up The Jam (1989); Body To Body (1991); The Best Remixes (1991); Recall (1995). Of the many studio-based dance music projects that dominated the charts during the early '90s, few were so popular, or such an improbable success story, as Technotronic. Emerging from Belgium, the multicultural group helped push the deep bass grooves and insistent beats of house music out of the club scene and into the pop mainstream; ironically, they did so largely by hiding behind the photogenic visage of an African-born fashion model who, it was later revealed, did not even perform on their records. In reality, Technotronic was the brainchild of Jo Bogaert (real name Thomas de Quincy), an American-born philosophy teacher who relocated to Belgium in the late '80s in the hopes of mounting a career as a record producer. Bogaert's intent was to fuse house with hip-hop, and toward that aim he sent demos of his work to a variety of rappers, including the Welsh-born MC Eric and a Zairean-born teenager named Ya Kid K (aka Manuela Kamosi), at the time a member of the Belgian rap group Fresh Beat Productions.

Lena Andersson is a fictional character created by Berlin-based Japanese artist Kyoka and Irish producer Eomac. Both met in 2016 during a residency at the Stockholm EMS studios. The initial spark of their collaboration was a joint session on the studio's Buchla system, later expanding to multiple other sound sources and instruments at sessions in the Etopia studio in Zaragoza supported by Fuga.

The Catalogue (German language edition: Der Katalog) is a boxed set comprising eight albums by Kraftwerk that were released from 1974 to 2003. All albums are digitally remastered, with most of the cover art redesigned.

Made up of six tracks, the record meanders through warm chordscapes, glistening synths and loose live percussion, weaved together with field recordings and ambience. Loom Dream invites us to peacefully reconnect with the living world by placing us amongst lush sonic verdure.

Maxi Dance Hits 94 is a wonderful compilation of some of the best dance music, hits and otherwise. Each one is a full on bang piece and you may listen to 2 1/2 hours of some of the best joints of the decade of decadance.

Maxi Dance Hits 93 is a wonderful compilation of some of the best dance music, hits and otherwise. Each one is a full on bang piece and you may listen to 2 1/2 hours of some of the best joints of the decade of decadance.

The byproduct of a much anticipated, long-delayed, and ultimately scrapped album to have been called Technopop (and to have contained Kraftwerk's great dance single "Tour de France"), 1986's Electric Cafe suffers only slightly from lacking the thematic focus of previous Kraftwerk albums. Ironically, the '80s techno-pop wave had passed by band founders Florian Schneider and Ralf Hutter at this point, but their sly wit ("Boing Boom Tschak," "Telephone," "Sex Object") and melodic inventiveness still stand the test of time. Its segues virtually seamless, Electric Cafe plays like one mega-dance-mix, but with the tasteful restraint that has long been a Kraftwerk hallmark. This is club music for thinking men and women.

The Mix is a 1991 remix album by Kraftwerk. It featured re-recorded versions of a selection of songs which had originally appeared on the albums Autobahn through Electric Cafe. Hutter stated in interviews that he regarded The Mix as a type of live album, as it captured the results of the band's continual digital improvisations in their Kling Klang studio. The band made a return to the stage in 1990, after a nine-year hiatus from touring. Most of the songs featured on their set list from this point to the present time have been heavily rearranged in a similar fashion to what appears on the album.

Following the release of the Endless LP remix package, respected Italian duo Tale Of Us - also known as Carmine Conte & Matteo Milleri - will unveil their fabric 97 mix on 16th February 2018. With the pair having been supported by the club in the earlier stages of their career, they are a natural choice to take the reins of the seminal mix series, at a point when they are truly considered an international success story.

Japanese release featuring modern eclectic Japanese acts covering the finest that German electronic Pioneers Kraftwerk ever created. Includes Buffalo Daughter doing the legendary 'Autobahn', plus interpretations of 'It's More FunTo Compute' and 'Showroom Dummies'.

With too much good music to release in one collection, Toolroom present the second volume of its coveted Ibiza compilation. The list of artists included runs like a roll call of the most exciting producers in electronic music right now: Weiss, Leftwing : Kody, Will Clarke, Eli Brown, Hannah Wants, Mason Maynard, De La Swing and Hector Couto all providing music that ranges from soaring, vocal-led anthems to sinewy rolling Techno. Also included are no fewer than 22 brand new tracks exclusive to the compilation from artists like Alex Kenji, Dakar, Lex & Wood and Apexape: an incredible range of cuts that make Toolroom Ibiza 2019, Vol.2 a means of new music discovery as well as a source for tracks and artists you already know and love. Add to this three continued mixes that cover Poolside, Club and Afterclub, and you have a collection that encapsulates the electronic spirit of Ibiza like no other.