First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor. Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music…

Pete Namlook was one of the most influential protagonists of ambient music during the 1990s. Inspired by Oskar Sala, one of the pioneers of electronic music, Namlook focused on the untapped potential of analogue synthesizers, often developed or extended in his laboratory.
David Moufang is a German ambient techno musician. He records with his partner, Jonas Grossmann as Deep Space Network project and his solo releases as Move D.

Minimum-Maximum is the first official live album release by Kraftwerk, released in June 2005, almost 35 years after the group gave their first live performance. It features two CDs and tracks recorded on their world tour during 2004, including concerts in Warsaw, Moscow, Berlin, London, Budapest, Tallinn, Riga, Tokyo and San Francisco. Minimum-Maximum was nominated for a Grammy Award for Best Electronic/Dance Album in 2006.

A collection of ten tracks by a mysterious artist, characterized by melancholy, nostalgia, and introspection. Ecstatic and refined aesthetics encompass the whole playtime, providing an enticing reverberation of self-consciousness and revelatory effects. Themes such as nature, cosmos, and mysticism are well-represented in this album. From beatless to 4/4 with organic drum patterns, the outcome is always warm and pleasant. A wonderful narration ranging between laid back meditative moments to more uplifting parts that keep the listener in an energetic lucid dreaming state. The sensitivity of the artist emerges through exceptionally programmed soundscapes that transport the listener into a lush exploration of self.

Not For Threes is the 1997 album by London duo Ed Handley and Andy Turner known as Plaid. This was released on Trent Reznor's nothing label in 1998, distributed by Warp.

The Mix is a 1991 remix album by Kraftwerk. It featured re-recorded versions of a selection of songs which had originally appeared on the albums Autobahn through Electric Cafe. Hutter stated in interviews that he regarded The Mix as a type of live album, as it captured the results of the band's continual digital improvisations in their Kling Klang studio. The band made a return to the stage in 1990, after a nine-year hiatus from touring. Most of the songs featured on their set list from this point to the present time have been heavily rearranged in a similar fashion to what appears on the album.

Kraftwerk's Wolfgang Flur in collaboration with U96. There are few genres in which German artists play such a central pioneering role as they do in electronic music, be it techno, electropop, trance or rave. At the frontline for many years were Kraftwerk and U96, two absolute trailblazers of this musical direction. While Kraftwerk wrote international music history mainly in the 1970s with cult albums such as Autobahn (1974), Radio-Aktivit?t (1975), Trans Europa Express (1977) and Die Mensch-Maschine (1978), U96 had a profound influence on the global pop music, rave and techno scene of the 1990s with hits such as 'Das Boot', 'Love Sees No Colour', 'Night In Motion' and 'Heaven'./quote]

Japanese release featuring modern eclectic Japanese acts covering the finest that German electronic Pioneers Kraftwerk ever created. Includes Buffalo Daughter doing the legendary 'Autobahn', plus interpretations of 'It's More FunTo Compute' and 'Showroom Dummies'.

After the incredible success of their "Doctorin' the Tardis" single in 1988 (better known as that theme from Dr. Who), Drummond and Cauty had plenty of money to hire talented musicians (instead of merely sampling them, as on their early recordings). The White Room is the result, an album bursting with hit singles that nevertheless flows as well as any concept album. Often overlooked as a classic from the acid house era (mostly because of the KLF's retirement one year later), The White Room represents the commercial and artistic peak of late-'80s acid-house.

1995 compilation, the remix companion to their 1994 collection the Best of New Order. Rest of features updated mixes of 10 of their finest from both the '80s and '90s. Tracks include 'Blue Monday' (Hardfloor Mix), 'True Faith' (Shep Pettibone Remix), 'Touched By the Hand of God' (Biff & Memphis Remix), 'Bizarre Love Triangle' (Armand Van Helden Mix), 'Ruined in a Day' (K-Klass Remix), 'Regret' (Fire Island Mix), 'Age of Consent' (Howie B. Remix) and 'Spooky' (Magimix).

"Temple Of Dreams" is the 1992 single by electronic duo Messiah. This was a preview of their debut CD, (21st Century Jesus) (shown as Twenty First Century Jesus in some countries). This single features five mixes of "Temple Of Dreams" plus another song that would be on their album. This was released on WHTE LBLS, distributed through Rick Rubin's american recordings.

Exstinctio Conscientia is a 2012 split effort between Ancient Methods and Kareem, who supply their own songs while remixing the others as their own "interpretation". This was released by French label
Fondation Sonore.

Neuroclaps LP is a 2017 album by Yves De Mey, who goes by the name Grey Branches for this release. As for this release, it came out on the Inner Surface Music label.

"Lift" is the 1991 single by British electronic group 808 State. Released by ZTT in coordination with Tommy Boy, this was in support of their album ex:el and features six mixes of the single plus two mixes of "Open Your Mind", a song not on the original album.

"One In Ten" is a collaborative single between British techno group 808 State and reggae band UB40. Released by ZTT in conjunction with Tommy Boy Records, this features five different mixes of the song.