Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album Captagon. Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.

Richard D. James Album is an electronic album by Aphex Twin, whose real name is Richard David James. The work features use of software synthesizers and unusual beats. It is his fourth official full-length album. The album garnered high acclaim from music critics, and was named 40th in Pitchfork Media's "Top 100 Albums of the 1990s" list. It was also placed #55 on NME's Top 100 Albums of All Time in 2003.

1995 compilation, the remix companion to their 1994 collection the Best of New Order. Rest of features updated mixes of 10 of their finest from both the '80s and '90s. Tracks include 'Blue Monday' (Hardfloor Mix), 'True Faith' (Shep Pettibone Remix), 'Touched By the Hand of God' (Biff & Memphis Remix), 'Bizarre Love Triangle' (Armand Van Helden Mix), 'Ruined in a Day' (K-Klass Remix), 'Regret' (Fire Island Mix), 'Age of Consent' (Howie B. Remix) and 'Spooky' (Magimix).

Sommer 1995, die Luft ist warm und voller Liebe. Eine wunderbare Geschichte beginnt. Die Geschichte von NATURE ONE: 13.000 Raver feiern den ersten großen Open-Air-Rave! Gemeinsam gestalten sie die Welt so, wie sie immer sein sollte. Mit elektronischer Musik, Freundschaft und Toleranz. Unter freiem Himmel, mitten in der Natur, im weichen Gras. Ein Fest der Freiheit und Offenheit.

Gary Numan is known for robotic, stylized singing. His primitive electronics and pre-"new romantic" sound did nothing for me. A myriad, zealous voices will tell you that Numan was sings "good songs." Now, in this 2-CD collection of Numan interpretations you can hear those good songs without Numan's idiosyncratic delivery. The known and the unknown join to make proto-dance music out of mechanical master's material. Matt Sharp (Weezer) and Damon Albarn (Blur) cover "We Have a Technical." Also on the compilation are Gravity Kills, EMF, The Magnetic Fields, Jesus Jones, the out-of-place hip hop group Underdog (but, there's only one of them), Sukia, The Orb, Pop Will Eat Itself. One of my favorite cuts is "Metal" by Towering Inferno. Brian Eno described their Kaddish album as "frightening" and they are here joined by Eddie Reader. I also am very fond of the two versions of "Are 'Friends' Electric?" Techno rockers Republicaare joined by Numan himself for one version and Belgian discovery An Pierle offers another.

According to several of the seven mixes on the CD EP Ali Click, "Brian's been amusing his friends by chewing on some plastic flashbulbs." "Ali Click" the tune, originally released on Eno's superb Nerve Net, is a groovy, rhythmic techno rocker perfectly suitable for creating dance mixes. Eno's sound-over-sense lyrics, presented in rap-like rhymes, heighten the composition's appeal. The closing track, "I Fall Up," is the real climax here. Originally recorded for Eno's unreleased My Squelchy Life (1993), this cut is also included on the three-CD box set, Brian Eno: Vocal. Like "Ali Click," "I Fall Up" is abundant with choice phoenetic jabberwocky ("More volts/I'm sucking the juice from the generator/Burn up/turn into a lanky housemaid/Sail up/I'm cackling off to the Congo")…

Die Dream Dance 87 steht in den Startlöchern und sorgt bei allen Dance- und Trance-Fans für einen heißen Sommer 2019!

Seit einigen Jahren gibt es einen riesigen Hype um die 90er Jahre! Überall feiern die Menschen zu diesem Lebensgefühl aus einem anderen Jahrzehnt und die Parties werden immer größer. DJ PIERRE hat sich an die Klassiker dieser Epoche gewagt und sie mit deutschen Texten versehen – das gab es noch nie. Zur Umsetzung hat er viele Stars und Sternchen aus dem Schlager-Himmel gefragt, ob sie Lust hätten Teil dieses Projektes zu werden. Herausgekommen ist das einzigartige Album „SO GEIL! (DIE 90ER)“.

After the incredible success of their "Doctorin' the Tardis" single in 1988 (better known as that theme from Dr. Who), Drummond and Cauty had plenty of money to hire talented musicians (instead of merely sampling them, as on their early recordings). The White Room is the result, an album bursting with hit singles that nevertheless flows as well as any concept album. Often overlooked as a classic from the acid house era (mostly because of the KLF's retirement one year later), The White Room represents the commercial and artistic peak of late-'80s acid-house.

Orbologists Dr. Alex Paterson and Thomas Fehlmann are in their lab putting together a massive sound worm by hand for the anniversary of Berlin's elite training ground, Shitkatapult.

Like so much of Moby's earliest work, this isn't so much an album as a compilation via his original label, Instinct. Ambient influences in techno were all the rage in 1993 in terms of press and coverage (though jungle would swiftly eclipse both it and the progressive house genre), so it's no surprise Instinct wanted some of that action, right down to the says-it-all title. Motivations aside, Ambient is an enjoyable collection of experiments; if Aphex Twin's monumental Selected Ambient Works releases eclipse it in terms of both quality and sheer inventiveness, Moby's own efforts in the field are often quite pleasing. Those familiar with such later efforts as "God Moving Over the Face of the Waters" and "The Rain Falls and rhe Sky Shudders" can find their partial roots here, though the compositions are generally more formal and less-immediately noteworthy than what came next.

Bedroom Tapes is comprised solely of lost material from a recently discovered box of cassettes that emerged in the process of a house move. These tracks capture some of Paul Woolford’s most wide-eyed and naïve creative impulses at a tender age.

Konx-om-Pax's first two albums for Planet Mu moved from amorphous ambient abstractions (Regional Surrealism) to bright yet half-dissolved rave nostalgia (Caramel). With Ways of Seeing, producer/graphic designer Tom Scholefield places a greater focus on beats and melodies, yet his music remains just as dreamy as it was before. Scholefield recorded Ways of Seeing after relocating from his hometown of Glasgow to Berlin, and while the album is certainly his most techno-influenced release yet, it sounds nothing like the sort of dark, paranoid techno one might associate with the city. Instead, it's joyous and even beach-ready, exuding warmth through hazy, lo-fi textures.

Plaid's tenth studio album is inspired by environmental concerns, as well as humanity's relationship with synthetic objects and how they affect the planet. Similar to many of Plaid's past albums, the duo weave acoustic instrumentation throughout their tricky compositions, fusing machine precision with warmth, humanity, and wonder. As with 2016's The Digging Remedy, Polymer is a bit darker than usual for Plaid, reflecting the album's eco-conscious themes, but it's still playful and spirited, if more mature-sounding than their earlier work. That said, the album also contains some of their most danceable material in ages.

With the new Kontor Sunset Chill 2019 and its amazing Tracklist, you can start your Cocktail Party. While at the major Festivals around the world it is always powerful to the point, at numerous Cocktail or Pool parties rather Deep House or matching Chillout Beats provides the right mood. For years we have been reporting on this Compilation on our portals and listen to it year after year in fact several times in the editorial department itself.