This is a collection called “Tidbeats”. Its title means “music bars” but it reads also as tidbits. It contains, in fact, original unreleased tracks from the likes of Stelvio Cipriani, Francesco De Masi, Piero Umiliani, Gianni Ferrio, Giorgio Gaslini, Riz Ortolani, Armando Trovajoli, Piero Piccioni and many other great masters of the Italian soundtracks.

After a short hiatus, The Gaslamp Killer has returned with turbulent, moody, and gorgeous symphonies on his third full-length album, Heart Math. An intense and emotional masterpiece, it reaffirms why he remains one of the best DJs and instrumental hip-hop producers of his generation. This is a work conceived and creative with every last ounce of love and pain, all of it made in turmoil and psychic unrest, with music providing the only form of solace or opportunity to find even a fleeting moment of happiness. It is as pure as catharsis gets. Heart music to survive a season in hell.

Aretha Franklin is the Queen of Soul because, well, that's exactly what she is, and her legacy is built on the amazing late-'60s hits she had with Atlantic Records, a run of undisputed classics like "Respect," "I Never Loved a Man," "Chain of Fools," "Baby I Love You," and "Think." She had a few chart hits here and there most notably "Who's Zoomin' Who" and "Jump to It" after her contract with Atlantic ended in the late '70s, and she's never been less than a simply astounding singer, but her 1960s sides are easily the high-water mark of her long career, so it's disappointing to find none of those classic tracks here in this two-disc set, and one could therefore argue convincingly that this package isn't at all "the best of Aretha Franklin." What it is, actually, is a nice survey of the key tracks from her post-Atlantic years, and it's impressive, sure, but one still wants to hear those amazing Atlantic sides. They're that good, and truth be known, they eclipse most of what's presented here.

Eighteen months on from his last solo release, Vancouver-based singer/composer Ian William Craig returns with a brilliant and powerfully emotive new album. His first for a long while to be centred around the piano - and also one of his most pared back - the record was made through an intense period of personal loss and environmental catastrophe.

Blue Lunar Monkey (Daniel Gradilla) is a long time musician/producer who believes the deeper meaning behind music, a communication without words that can take you into higher states of consciousness. Full of Psychedelic synths, organic bass lines and rolling rhythms, plus a few appearances by the amazing voice of Wendy Stock this album is certain to help ascend any person into a bliss filled state.

A Bestiary Of is a compilation album by The Creatures (aka singer Siouxsie and musician Budgie), issued on CD in 1997. It compiled remastered recordings made by the band between 1981 and 1983, including the Wild Things EP, the Feast album, the B-side of "Miss the Girl" and the "Right Now" single (backed by "Weathercade").

This compilation of Nelson's work over a ten-year span follows an earlier Cocteau set, The Two-fold Aspect of Everything, which compiled single releases and oddities. Nelson is amazingly prolific, with many albums to his credit, and a growing list of box sets in various forms…

Entheogenic is a musical project that crosses musical style boundaries. It mixes coloristic electrophonics with impressionistic orchestral sound. The use of both eastern and western vocals, tribal sounding instruments, as well as an array of synthesizers built the foundation of the Entheogenic sound. Their epic soundscapes manipulated through sound effects and catalystic sonic experimentations have a semi-classical feel to them. Entheogenic also records and uses a large amount of "natural samples" - water, human voices, animals, etc.
"Animism" denotes the action of life not merely as vital force, but a more fully and deeply, animating force. If the animating matrix of life is intelligent, willfull, and responsive to what it produces, it is appropriate to name it and treat it as a living creature having those attributes.

This is volume one in a series of albums designed to gather together rare and previously unreleased home recordings from the ‘80s onwards under the series title 'THESE TAPES REWIND'. From the mid ‘80s and into the early '90s my home studio, ('The Echo Observatory'), used a reel-to-reel analogue 16-track recorder. I mixed down via an analogue desk onto a very early SONY PCM F1 digital stereo machine. Whilst I released several albums recorded this way, there was a huge amount of material left 'on the shelf’.

Orbit Ceremony 77 is a 2016 album credited to Bernard Fevre. Originally a 1977 Black Devil Disco Club project, this was remixed from the original multitracks. This was released by Lo Recordings/Alter K.

Mariah Carey claims Rainbow, her first album since divorcing Tommy Mottola, "chronicles my emotional roller coaster ride of the past year," but less subjective listeners could be forgiven for viewing it as simply another Mariah Carey album. After all, all the elements are in place – the crossover dance hits, the ballads, the cameos, the hip producers, the weird cover choice from the early '80s. But dig a little deeper, and her words ring true. Rainbow is the first Carey album where she's written personal lyrics, and allusions to her separation from Mottola are evident throughout the album, even if it doesn't really amount to the "story" she mentions in the liner notes.

Washed Out is Atlanta-based producer / songwriter / multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date.

The music presented on this compilation, “Framed Space” consists of a selection of works from the first three years of Melody As Truth.

Trance 'n' Dance (1990). Trance 'n' Dance is the third album by Mind Over Matter. The album includes a magnificent "Children of the Midnight" (22-minute piece in four parts), a joint venture with Peter Mergener ("Spacelab"), a track featuring the recorded voice of the great Indian leader and spiritualist Mahatma Gandhi ("Mahatma"), another bonus track from the first album ("The silence") and a track that would become the ultimate encore during MoM-concerts, "Jack the Bear". Aggi Fiegler sang this Floydian track that featured voices from two freaked-out Canadians that Klaus met on a trip to Thailand in the mid-1980s.

If you're familiar at all with the terms "Asian Underground" or "Asian Massive," then you've been touched by the influence of multi-instrumentalist Karsh Kale, a British-born son of Indian parents who has lived in the United States since the age of three. Although he initially made a splash as a drummer and tabla player, his work as a producer, remixer, and now a film composer has broadened both his stylistic range and his musical impact, and Cinema serves as a sort of summary of his work up to 2011. Its title is apt; throughout the album his approach is explicitly cinematic (especially so on the Bollywood-flavored "Turnpike") even as he weaves together multiple threads from the ever-expanding tapestry of both modern Indian and Western pop music…