2018 debut album, by prodigious keys player, composer and producer Joe Armon-Jones, is buoyant, celebratory and welcoming. With a background in jazz, he draws from influences in dub, hip-hop and soul. Different traditions are infused and commingled together. Soulful brass arrangements are colored with carefully-tuned atmospherics; individual flashes of brilliance are bound into the album's bigger picture. He's part of London's young, jazz-influenced music scene. Drawn from that same close-knit circle, the album features the likes of Moses Boyd, Nubya Garcia and Oscar Jerome. It's playing with those - along with Ezra Collective, which he co-founded, and touring with the likes of Ata Kak and Pharoahe Monch - which has honed his playing and grown his ideas. It's made for a record with an unmistakable depth. He draws on deep musical understanding, making music which is warm and has a feeling of joy. A document of his vision for bringing together his different influences, it's also a testament to hard-earned, head-turning musical virtuosity.

Blutengel (German: Blood Angel) (stylized as BlutEngel) are a German futurepop musical group formed by singer Chris Pohl (also of the groups Terminal Choice, Tumor, and Miss Construction and the owner of the Fear Section label) after he had to leave Seelenkrank due to contractual and legal problems…

Very rare UK limited edition 4CD box set (1000 copies). Four 24KT Gold Plated CD Albums with unique picture covers. Computer Enhanced/Digitally Remastered. Housed in 12" Square Gold Tin Box with 'MADONNA' (Like a prayer Logo) Embossed on the Front.

This is the debut album from Juan Antonio Ortiz, who goes by the name Johnny O. This was released by Micmac Records in 1989.

The "Love Is a Bourgeois Construct" CD single includes remixes by Little Boots, Dave Audé and others plus two brand new B-sides.
Post-modern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys offer wry yet strangely affecting cultural commentary communicated by the Morse code of synth washes and drum machine rhythms. After first emerging in the mid-'80s with "West End Girls" and "Opportunities (Let's Make Lots of Money)," Neil Tennant and Chris Lowe quickly established themselves as hitmaking singles artists who were also able to craft emotionally resonant albums, like 1988's Introspective and 1990's Behaviour…

The late Oscar Menzel, who recorded as Airwaves, left a significant legacy that the electronic music community has routinely failed to acknowledge or come to grips with. An admirer and obvious colleague-in-spirit to pioneers Tangerine Dream, Klaus Schulze, Robert Schroeder, Pete Namlook, and so many other recognized synthi boffins, Menzel’s small but important catalog bristles with enough ideas to fill dozens of albums, accomplishing within a mere handful of recordings what lesser artists spend a lifetime attempting.

How one goes about surfing in the Arctic remains to be seen; perhaps our changing climate will make such a thing soon possible. Until then, we have to perform such a feat metaphorically, or at least do so vicariously, through the windswept beatscapes provided by the duo of Jarkko Turkulainen and Petter Friberg. The two Surfers manage to do a helluva job navigating their way across an icy tundra of expertly designed rhythm programming, over which skirt jittery synths making the most of sharp angles, steep inclines, and immaculately poised atmospheric tribbles that reflect a multitude of sun-dappled colors.

The Korgis are a British pop band known mainly for their hit single "Everybody's Got to Learn Sometime" in 1980. The band was originally composed of singer/guitarist/keyboardist Andy Davis (born Andrew Cresswell-Davis 10 August 1949) and singer/bassist James Warren (born 25 August 1951), both former members of 1970s band Stackridge, along with violinist Stuart Gordon and keyboardist Phil Harrison.

The initial 1999 version of Astral Disaster on Prescription was an ultra-limited release in a symbolic edition of 99 copies on vinyl only. The CD reissue of what must be one of Coil's more collectable cult items has been slightly remixed, and includes an extra track not on the original as a consolation to the fanatics who missed out on the Holy Grail LP version. Not comparable to the sublime brilliance the group achieved on Musick to Play in the Dark, Astral Disaster mines different territory altogether, and is a strong album that features a notable folk influence. With this approach transfigured through industrial and electronic means, the album bears striking similarities to Current 93 in its exploration of esoteric and mystical themes.

Dancing Queen isn't the soundtrack to Mamma Mia! Here We Go Again but it's something sexier: an ABBA covers album by Cher inspired by her role as Ruby in the 2018 film. Cher didn't sing much in Mamma Mia! Here We Go Again – she duetted with Andy Garcia on "Fernando" and was part of the crew singing "Super Trouper" – but it was enough to whet her appetite to sing more of Benny Andersson and Bjorn Ulvaeus' songs, so she headed into the studio with her producer Mark Taylor and cut ten quick covers. Bearing the perhaps-inevitable title Dancing Queen, the tribute is swift and breezy, especially for a record that doesn't take liberties with the original arrangements. Taylor peppers the album with vocoders and electronic beats but the intent and feel of Cher's interpretations are faithful to the original beloved hits. It's just enough of an update to feel fresh, yet familiar enough to be nothing but a dose of glitzy, cheerful nostalgia.

Released in 2002 after a series of high-toned concept recordings, Tres Lunas is a bit of a return to straight-up, new age mood music for Mike Oldfield. The musician/composer once again spins carefully layered guitar and keyboard performances into a seemingly endless stream of space-age lullabies supported by the faintest of beats – most of which rarely exceed the intensity of a weak pulse…

Red velvet curtains draw back to reveal a cosmic wheel of fortune, floating in the deep black star-studded theater of infinite space. A whirl of timbres, personalities, and stories. The Turning Wheel, the third full-length by the Bay Area artist SPELLLING (Chrystia Cabral), revolves around themes of human unity, the future, divine love and the enigmatic ups and downs of being a part of this carnival called life.

As always with Tricky, the right idea for pop isn't necessarily just right for him. Beats, of course; songs, sure; a band, who could say no? And right, individual tracks connect pretty good–hot lesbian porn, you devil you. Yet though his soundscapes be obscure and forbidding, they're what he's great at; his rap affinities and rock dreams are off the point, especially in the studio. So the best thing about these shapely selections is that they remain obscure and forbidding as they stand up and announce themselves. Second-best is their scorn for criminal pretensions, always a boon from a borderline nihilist.

Collection of solo hits from the vocalist in Enigma & Arabesque. Sandra's solo recordings mix the atmospheric sounds of Enigma with the crisp, upbeat vibe of Europop. Outside of the U.S., she is musical royalty to millions of fans. Her albums appeal to fans of Dance Music, World Music and contemporary Pop. Although she is far more commercial than the Enigma recordings, she certainly will appeal to their fans as well. Features 18 tracks including 'Maria Magdalena', 'In The Heat Of The Night', 'Everlasting Love' and more.

This is one of the first albums written by Ron Boots, the famous electronic composer from the Netherlands. It was first released in cassette format (in 1987) and in 2000 it was re-issued in CD format by Ron's Groove Unlimited record company. This is a set of ominous sci-fi space music. The music has a experimental feel with sinister synth washes and drones.