Tomorrow’s five deeply stirring transcendent electronic pieces draw from Steve’s current high tide of creativity and introspection. Developed over the last six months within the stylistic mode he describes as “elegant futurism,” cyclical melodic weavings flow and ebb in a graceful momentum infused with deep emotion. Tomorrow finds a rare balance between a feeling of floating and one of kinetic movement; this unexpected symmetry breathes life and energy into each piece.

Taken from the 2003 album "Other People's Songs", "Make Me Smile (Come Up And See Me)" is a cover of Cockney Rebel's smash UK hit. The US version of the single contains three versions of this song, plus three exclusive tracks.

Time Out (2008). "Time Out" is an evocative and uplifting musical tapestry where gentle piano sounds and melodies lead you into a world of pure silence as the ground of all being. Pure and elegant, intricate and subtle, Oliver Wright's solo piano melodies invoke the serene mind, and invite you to slip out of time and into the spaciousness within where you can deeply relax. Through the gentle power of the piano, he invites you to simply embrace and accept life as a joyful and carefree journey. Pure natural timeless melodies, at times evocative and inspirational, at times compelling and graceful, with sounds that have the power to transcend all thought and time. Simply listen, relax and be moved…

Original electronic music that is directly inspired by the classic electronic music sound from circa 1972/82. Dreams of the future as seen from the past, and meanderings into fantastic worlds, surreal, psychedelic.

Mariah Carey claims Rainbow, her first album since divorcing Tommy Mottola, "chronicles my emotional roller coaster ride of the past year," but less subjective listeners could be forgiven for viewing it as simply another Mariah Carey album. After all, all the elements are in place – the crossover dance hits, the ballads, the cameos, the hip producers, the weird cover choice from the early '80s. But dig a little deeper, and her words ring true. Rainbow is the first Carey album where she's written personal lyrics, and allusions to her separation from Mottola are evident throughout the album, even if it doesn't really amount to the "story" she mentions in the liner notes.

Pete Namlook was one of the most influential protagonists of ambient music during the 1990s. Inspired by Oskar Sala, one of the pioneers of electronic music, Namlook focused on the untapped potential of analogue synthesizers, often developed or extended in his laboratory.
David Moufang is a German ambient techno musician. He records with his partner, Jonas Grossmann as Deep Space Network project and his solo releases as Move D.

The lead-off single for Erasure's album "Other People's Songs" is a cover of the Peter Gabriel classic "Solsbury Hill." The US version of the single contains four versions of this song, plus two new original songs, a recording of "Ave Maria," and an exclusive mix of "Video Killed The Radio Star."

With Ali-Ollie Woodson's polished vocals, the Temptations scored a Billboard R&B Top 20 hit with "Do You Really Love Your Baby." Penned by Luther Vandross and Marcus Miller, the Tempts gratefully reap the rewards of Vandross' crafty style. Woodson and Ron Tyson switch off on lead. With a mixture of urban and pop rhythms, the single peaked at #14 after 15 weeks.

The aptly named Do You Like My Tight Sweater? slinks and bounces on a funky backbone of fat basslines and innovative beats that support singer Roisin Murphy's sly, theatrical vocals and lyrics. Part catwoman, part droid, her singing ranges from a knowing purr to an androgynous growl and creates characters like party weirdos, dominatrixes, killer bunnies, and ghosts. As dramatic as her vocals are, however, Murphy is an antidiva; her musical surroundings equal her singing in importance. The other half of Do You Like My Tight Sweater?'s individuality comes from Mark Brydon's arrangements, which combine fluid tempos, sudden breakbeats, witty sound effects, and unearthly keyboards in sci-fi grooves that appeal to the brain and body. Standout tracks like "Fun for Me," "I Can't Help Myself," "Lotus Eaters," and "Party Weirdo" mix sensuality, technology, funk, and electronica in a unique and stylish blend. While some of the sillier songs like "On My Horsey" and "Dirty Monkey" disrupt the flow of Do You Like My Tight Sweater?, the danceable creativity of Moloko's debut overrides its quirks.

Song Machine, Season One: Strange Timez is the upcoming seventh studio album by British virtual band Gorillaz, set to be released on 23 October 2020. The album is released as part of the Gorillaz Song Machine project, a web series consisting of a collection of singles and music videos, dubbed "episodes" each featuring different guest artists. It has incorporated a wide range of genres, thus far including punk rock, bossa nova, synth-pop, electronic, and downtempo. The album marked the return of the character Murdoc Niccals in promotional material, after his absence from The Now Now in 2018.

In a history that stretches back some 25 years, Faithless have long occupied a pivotal position in the world of British electronica. Marrying elements of house, trip hop, dub and a songwriting flair into arena filling explosive, euphoric sounds.

John Frusciante releases the first instrumental electronic album under his own name on Aaron Funk's Timesig label. The record is dedicated to his cat Maya who recently passed away, a fellow traveller in his otherwise solitary music making sessions. He says "Maya was with me as I made music for 15 years, so I wanted to name it after her. She loved music, and with such a personal title, it didn't seem right to call myself Trickfinger, somehow, so it's by John Frusciante."

Serge Douw was born in Australia and is an expert in laser technology, this album being the musical score to a laser light show which tracks the formation of life on Earth. Perhaps that explains the gushing blurb on the sleeve “monumentally moving music with percussive and inventive scores that captivate the essence of life on Earth”. Basically if you are “into” Jarre then you should find much to your liking on this album.

Incredible album of bleeding-heart catharsis from cellist Oliver Coates, think Arthur Russell doing drone metal with Fennesz, and you’re not far off Coates’ capacity for tear-jerking genius here.

This is part I & part II of the re-issue series of the cult-band of the 80s in the fieid of electronic-nature music - G.E.N.E. In the years 1991 until 1999 they released quite a number of CDs which all gained big success all over the world. Inspired by the travelling of the artists Cléo de Mallio and Lisa-Maria Tedesca they created compositions which became all-time greats in the collections of their fans. The music built from original tones and authentic sounds was put together with electronic devices to create unique compositions. This first CD covers the best songs from the initial releases “Get The Taste” (1991), "Katchina” (1991), “Diving Dreams" (1992), "Fluting Paradise" (1992) and last but not least "Mediterranean Moods” (1993).