Welcome to The Ordovician Era in which the Peter Stampfel and Atomic Meta-Pagans become even more like themselves. Featuring the vocal stylings of the Stampfelettes, magical overdubs by Mark Bingham, higher quality improvs by award winning experimental vocalist Shelley Hirsch (Singing, The Big Gundown), Peter Stampfel (Holy Modal Rounders, Fugs), and more! Ongoing jolliness beckons! We asked Mark Bingham to do the sequencing, and he started with an improv, 'so improvs won't be like dirty stepchildren.' Featuring beautiful full color artwork by Tony Millionaire!

Kelly (formally Carvin) Walls and Troy Walls are a powerhouse duo that could only be created in the heart of Music City! Kelly, a sassy, fun Jersey girl, and Troy Walls, a down to earth country boy from West Virginia both made the move to Nashville, TN to pursue their music careers in 2012. They met at a writers round shortly after, started writing together and the magic between them happened instantly. They began to play songwriter rounds together, backing each other up with harmonies and guitar parts. Soon, word spread around about the new duo in town!

Ian is an award winning country music singer/ songwriter from the Macarthur district of NSW, Australia. Writing songs for over 14 years. Ian had been performing with bands for many years but in 2014 decided to start playing solo and performing his original material.

10 of the tracks were recorded in Wassenaar, Netherlands at Echo-Fish Studios…Buddy Mayhew Original Music…all songs written by Buddy Mayhew, Buddy Mayhew all guitars, vocals, mandolin, and Harmonica… bass and drums by Angry-High-Five…Country flavored, funky, Americana, Indie, southern-styled, up-tempo good-time original music…

Recorded live off the floor at Operation Northwood studios, made in Canada is the culmination of David Storey’s multi-decade career spent performing in coffeehouses, church basements, art galleries, taverns, intimate venues (Hugh’s Room) and festivals (Winterfolk, Orangeville Blues and Roots Festival). The collective wisdom of touring and creating has resulted in this, his third and most fully-realized album yet.

Acclaimed North Carolina-based singer-songwriter Malcolm Holcombe, "a troubadour seemingly from another age" (Elmore), released 'Come Hell or High Water'. Featuring collaborations with celebrated roots-music couple Iris DeMent and Greg Brown, the 13-track album is trademark Malcolm. Chiseled out of a life abundant in both hard times and sweet ones, with an ache of loveliness and loneliness, of torment and hope, woven throughout, his songs paint vivid portraits, turning them into haunting, brooding, moving affairs. Recorded at Dagotown Recorders in Boston, MA, 'Come Hell or High Water' was produced by Marco Giovino and Jared Tyler. Holcombe was joined in studio by Jared Tyler (mandola, dobro, classical guitar, harmony vocals), Marco Giovino (drums, percussion), Iris DeMent (harmony vocals) and Greg Brown (harmony vocals).

This album took me almost eight years and three attempts to record. During my first attempt, a hard drive crash erased the entirety of a nearly-completed album. I lost my mind for a little bit after that, but I eventually recovered from the loss, only to have my second try thwarted a couple of years later by a fried motherboard. Finally, with a Pro-Tools-7-running, fifteen-year-old Mac Book that by this point was a veritable Ship of Theseus given its new hardware, I was able to capture the songs for long enough to get them mixed, mastered, and pressed to vinyl.

South East Kentucky is known for musical talent. Our own hometown is partially known because of the bluegrass megastars The Osborne Brothers. Lately though, a new musical force has stormed onto the scene and they’re already transcending the boundaries of Leslie County. They are Eddie Fee, John Sizemore, Doug Napier, and Neal Parrett, better known as Hillbilly J.E.D.

Award-winning Austin, Texas-based Hot Club of Cowtown may be the world’s most globe-trotting, effervescent string trio, who’s joyful sound blends the traditional Western swing of the American southwest with European hot jazz influences of the same era. The Hot Club of Cowtown, celebrating its 21st year in 2019, writes its own material and also reinterprets everything from hoedowns to American songbook standards in its own, original style.

Sean Ryan Morton’s journey in life has been a long and unusual one. As an outlet to being bullied in school, he turned to music and found passion and comfort in playing and performing. Foundational to his character, He has dedicated his entire life to mentoring people musically and spiritually. Over the years he has gone from music teacher teaching all different instruments to performing in front of thousands and like most musicians has developed a unique style that reflects the passions that he has embraced over the years.

On his seventh offering, and his first since 2001's Texoma, Okie beatnik cum Austin songwriter Jimmy LaFave listens deeply to the tender whispers of his Muse and lets flow with his most personal offering to date. LaFave has always given us song pictures of an America that has either disappeared or is on the verge; he has celebrated its highways, its people, and its heart. He has also given us some choice love songs. But on Blue Nightfall he has gone deep into the latter theme and has come up with a beauty. It's not that he's ignored his other concerns; there are road songs and topical tunes as well. But it's in LaFave's love songs that listeners get to hear a depth and vastness that feel new. LaFave's voice is his greatest asset and he uses it to great effect here, and his production is spot-on throughout. The title track, "Revival," "Sweet Sweet Love," "When You Were Mine," and "Rain Falling Down" are all broken-hearted ballads, colored in woven and textured acoustic and electric guitars accented by Radoslav Lorkovik's accordions, pianos, and organs, and supported by a taut yet subtle rhythm section in bassist Will Landin and drummer Wally Doggett.

Andrew Joseph Marshall was born and raised in a small town in Northern California in typical blue-collar family style. Through no fault of his parents or siblings, he always felt the odd man out and was always searching for something to be a part of. He found music at an early age which kept him focused and occupied with dreams of rock’n’roll stardom. In high school, he started experimenting with drugs and got into trouble. Eventually he realized it was the wrong way to go and joined the military at 18 years old. While in the Army, Andrew dropped music as he was stationed in South Carolina, Georgia, and New York.

Great work from a series that never gets old – and which, if anything, seems to keep digging deeper and deeper with each new volume! If you know that, as the Louvin Brothers tell us, Satan Is Real – then you'll find plenty to spook your soul here – and we don't just mean the creepy cover! As with previous volumes, the tracks are a superbly-selected batch of songs from the farther reaches of country music – dealing with themes of temptation and salvation, awash with all the evils of mankind that weren't washed away in the pulpit! Titles include "Satan's Wife" by Jesse Floyd, "Turn Your Radio On" by The Statemen Quartet, "It's Nothing To Me" by Loy Clingman, "The Devil" by Ronnie Wolfe, "Satan's Suitcase" by Robert Zehm, "Devil Get Away From Me": by Roy & Georgia & The So & Sos, "Nightmare" by Jack Turner, Ghost Of A Honky Tonk Slave" by Cowbowy Howard Vokes, "On The Cross" by Margie Singleton, "Ghost Town" by Billy Massey, "Singing Shouting Praying" by Bill & Opal Carter with The Country Gents, "Fourth Man" by Reverend Tully McCoy, and "Please Devil" by Bobby Griggs. –Dusty Groove.

On his 1994 debut album, Bloomed, Richard Buckner built a memorable song around the line "This is where things start goin' bad," but Buckner made that notion the overriding theme of his second full-length release, 1997's Devotion + Doubt. Written and recorded in the wake of the collapse of Buckner's first marriage, Devotion + Doubt abandons the largely acoustic, string band-influenced approach of Bloomed in favor of a stark, dusty sound that suggests a sleepless night in a motel room in the Arizona desert. J.D. Foster's production and the accompaniment from Calexico founders Joey Burns and John Convertino is often as spare as a whisper in the dark, but the production is a perfect match for the deep insinuations of Buckner's textured voice and the artful, impressionistic heartache of the lyrics, and this is a significantly more ambitious and accomplished effort than Bloomed, as fine as that album was.

Rock icon Lindsey Buckingham and popular country group Little Big Town shared the stage for the 22nd episode of CMT's Crossroads. The show was taped in front of an invitation-only audience in NASHVILLE on THURSDAY, OCTOBER 5, 2006 and premiered on CMT SATURDAY, DECEMBER 2, 2006. In this 2006 concert, Lindsey Buckingham collaborates with the younger band Little Big Town, exploring connections between Little Big Town’s country-rock styles and the musical moods and ideas that Buckingham has been exploring throughout his long career.